Nadar's photos of paris taken from a balloon to start with - some of the civil
war photos taken by Brady - Edward Anthony's New york street scenes taken from
a second story window  -


On 12/11/08 10:36 AM, "Chris Miller" <[EMAIL PROTECTED]> wrote:

I really appreciate Saul's last posting -- because it was so much more
ambitious and interesting than  anything else that's been offered here for a
long time.

And the more I read it - the more questions I have.

For example, Saul wrote:

"Edgar Degas' by allowing the framing edge to cut through a figure as
a way to challenge the traditional conception of the painted image as a
self-contained whole also has its origins in photography as does his use of
extreme angles and compressed space."

Could someone point me toward a mid-19th Century photographer who was
allowing
the "framing edge to cut through a figure" ?

I'm also wondering what would be examples of "extreme angles and compressed
space" -- both in Degas and the photography that he might have seen.




____________________________________________

Saul Ostrow | Visual Arts & Technologies Environment Chair, Sculpture

Voice: 216-421-7927 | [EMAIL PROTECTED] | www.cia.edu<http://www.cia.edu/>

The Cleveland Institute of Art | 11141 East Boulevard, Cleveland, OH 44106



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