Geoff, is hostility in the air ? or patronizing ?

Geoff to WC:
"When you learn something about aesthetics from brain imaging and neurosurgery 
let me know what it is."  

Luc to Geoff:
Where have you been in the last 20 years?

Geoff to WC
"...infer poetically.."  

Luc to Geoff
You mean neuroscientists are poets ? 


Neuroscience + aesthetics = neuroaesthetics is not about understanding 
expressionism or impressionism per se but about studying and understanding the 
nature of the human creative process (both from the creator and receptor 
perspectives.) That includes coming up with a theory of perception.

It seems you are confusing the process and the outcome or result of the process.

Neuroaesthetics could help understand how the artist got there and how/why the 
public feels what/how/when it feels. It is not about the "artwork" per se but 
about processes (auditive, visual for example). It combines principles from 
evolutionary biology, functional brain anatomy, perceptual and cognitive 
psychology, musicology, philosophy, cognitive archaelogy, anthropology.

Since we know that a brain could see an object simultaneously under different 
perspectives  we understand how an artist got to cubism. A stressed brain with 
aesthetic fatigue could explain Magritte's works.

As far as the public taste you are mentioning, you might investigate the 
invariants in functional brain anatomy - they might explain the reasons why 
people from different cultures at different times enjoy Don Gionnavi for 
example, or Vermeer...

Understanding the auditive and visual brains can help us design proposals for 
the education system and talk straight in the eye to members of departments of 
education.

Neuroscience and neuroaesthetics in particular is not about me in front of a 
painting trying to understand the meaning of the concept of impressionism; it 
is about the well being of society at large 

About reading: some of the seeds of neuroaesthetics are in De Anima by 
Aristotle (see also Theophrast). Then we could jump to Montaigne and John Dewey 
to read about human experience. Then jump to Ramachandran and Amy Ione for 
example, but also to the philosophers working on the relations between art, 
brain and human consciousness. But then also: Alcmeon, Galeno, Thomas Willis, 
Da Vinci, Galvani, Broca, Wiernicke, Brodmann I just simply cannot drop 
names... I myself investigate musical consciousness.

I currently work in Mexico with a group of patients with cerebral palsy 
(working on neuroplasticity to better their condition). They couldn't care less 
about sarcams about the validity of neurosciences. They couldn't care less if 
some people have existential anxiety when viewing voxels on a computer screen,  
voxels that "translate" their aesthetics experience of  a painting. 

We paint and make music and we do that because we have learned about 
neurological deficits and functional brain anatomy and because we have learned 
about the human creative processes and how music and art (with its 
subcategories) could bring well being to our society.  

And by the way, the falsity of mind-body split is so evident with such patients 
that it amazes me to meet people who still believe that the mind is somewhere 
out there...

And that it's up to me.

My apologies to the group for this long post.

Luc


www.lucdelannoy.com 


----- Original Message ----
From: Geoff <[email protected]>
To: [email protected]
Sent: Friday, December 19, 2008 11:40:51 AM
Subject: Re: Neurology and "Art"

William: Fine with me. Neuroscience doesn't scare me. When you learn something 
about aesthetics from brain imaging and neurosurgery let me know what it is.
I have a suspicion that what you will learn about is brain imaging and 
neurosurgery. Now, if you want to infer poetically from your new knowledge, 
that would be up to you. Just let me know what you've learned about hard edge 
realism or expressionism or public (or private) taste in any field of artistic 
endeavour. Infants' direction of gaze or length of gaze won't cut it with me.
Geoff C
----- Original Message ----- From: "William Conger" <[email protected]>
To: <[email protected]>
Sent: Friday, December 19, 2008 11:00 AM
Subject: Re: Neurology and "Art"


> You don't get it because you're not trying at all. You cite no experts. You 
> begin with a judgment, based on a preconceived idea, faulty at the first 
> level of logic, and hold to that. It's not about science vs the humanities.  
> It's about the substance of the physical world and how we function in it as 
> physical beings.  Our beliefs are a product of that physicality and they are 
> themselves symbolized networks of biological life.  As a noted biochemist 
> said,"biology does not stop at the neck".
> 
> Obviously, measuring is more than placing a ruler next to something.  It 
> means analysis of data, deductive and inductive reasoning, testing 
> hypothesis, and the like.  If it's physical, it's measurable; that is, belief 
> with evidence. And what is not physical is merely belief without evidence.  
> So if we are confined to belief, why not try to gather as much evidence for 
> beliefs as we can?  What is the history of mankind if not the gathering of 
> evidence for beliefs?  What is so taboo about wanting to do that? Why is it 
> good to have beliefs without evidence.  As I said earlier, this refusal to 
> even examine the issue (brain=mind) is a redux of the prelate refusing to 
> look through Galileo's telescope.
> 
> I think you are just resisting the falsity of the mind-body split.
> 
> I'll say that neuroscience is the most promising route of inquiry for new 
> perspectives on aesthetic judgment, just as it is for all cognition. If 
> science can show us how we think it can lead us to why we think.
> 
> Tell me again why this is such a dangerous and censored idea.  Is it the 
> Bible?  Some religious dogma?
> 
> Finally, why do you and others here use gossipy anecdotes to illustrate your 
> arguments?  Doing that is a ruse, an effort to make complicated, nuanced 
> concepts simple and everyday.  Your dentist and his painless patient: My 
> dentist has a very high speed drill, enabling many people to forego a local 
> anesthetic.  What's the point of these anecdotes? Everybody knows that a 
> general principle is not proven or falsified  by one odd exception.  "Man 
> falls 5,000 ft. from airplane and lives!" "Woman is shot five times in head 
> and complains only of a mild headache!" "Monkey art sells for thousands!"  Is 
> this a gossip list or a open-minded thinkers' list?
> WC
> 
>> Neuroscience is a legitimate interest and provides >> important information 
>> to >> physicians etc. As an important source of information about >> 
>> aesthetic>> judgments - I don't get it
>> Geoff C

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