I don't think the artists would need to be unworthy since there are social and 
cultural reasons why an artist is worthy that may over-ride the marks.  The 
marks themselves don't have much if anything to do with art quality.  I do 
think one can id the marks of a given school of art, like impressionism or AE 
or the 21C favoring of thinner and more graphic marks. I don't think we can 
really compare word marks with paint marks anyway..

wc


________________________________
From: "[email protected]" <[email protected]>
To: [email protected]
Sent: Sunday, June 28, 2009 11:27:32 PM
Subject: Re: Marks

In a message dated 6/29/09 12:11:11 AM, [email protected] writes:


> I actually did recognize a few of Miller's mark details but that's
> because I'm
> familiar with the same museum he went to.  Monet, Harnett, Cezanne, a lot
> of
> 20 mid century, a few 21C, and 19C, plus 17C marks.
>
But isn't it true that you could recognize scores of unworthy "artists" who
were obviously of their century because they adopted various
characteristics of their age? I have believed that if you could show me a play
(with the
playwright's name blacked out) I could place it within a twenty-year
"period".



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