Did Peirce suggest how experts in the "science of phenomenology" might be
selected?

Historically, selection was done by birth, followed by  a kind of anarchic
status wrangling - like kids do in high school or adults do in corporations.

The 10th C. novel, "Tale of Genji"  exemplifies that process, with Prince
Genji rising to the top of the Heian court as an expert in every kind of
aesthetic practice: poetry, dancing, music, painting, and even perfumery.

And overall, as we observe the results of this courtly behavior across
cultures, whether in Benin, Kyoto, or Firenze, we might well conclude that the
results were quite positive - i.e. beautiful rather than bizarre, which is the
quality sought by contemporary institutions of art.

But how can experts be selected in our modern world where status follows
institutional resume rather than the direct personal regard of social peers?

How can expertise be tested?

When aesthetics finally recovers from its current fascination with
interpretation, this is the question that it should be addressing

..........................................................





Frances to William and others...
In regard to the aesthetic beauty of an artistic work which property is sensed
by a competent individual, and if this
approach to the issue may be posed by a lurker in the wings, consider the
Peircean pragmatist position on an expert doing the science of phenomenology
by personally observing given phenomena and then expressing the feelings of
whatever objective fleeting haze seems to be subjectively felt as posited by
the given stuff. The expression of observation itself by the sole expert
however is insufficient and inadequate to satisfy the pragmatist tenets
of science. The expressions must be shared by some relevant collective
community of similar experts who share such
expressions of observations. It is this collection of expressions upon at
least a tentative agreement that then goes to the
scientific explanation and definition of the given phenomena.

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