"A curator's choice can only reflect the broadness of his expertise.
Curators are not recording  machines without biases."

I agree with that.

"Subjectiveness is what keeps art alive / evasive/ and unteachable."

Subjectives is a part of objectiveness. Art is teachable as a skill.
Creativity is not. It is evolving potential of everybody to different degree.

"Good ,better,and best are all  unprovable biased illusions in art."

I have to disagree. Ageless masterpieces accepted by the most of the world and
made it better is a prove. It is not saccharine sentimentality it is a honey
truth.
Boris Shoshensky


---------- Original Message ----------
From: armando baeza <[email protected]>
To: [email protected]
Cc: armando baeza <[email protected]>
Subject: Re: Question for Mando
Date: Sun, 15 Nov 2009 08:22:01 -0800

A curator's choice can only reflect the broadness of his expertise.
Curators are not recording  machines without biases. No one is.
Subjectiveness is what keeps art alive / evasive/ and unteachable.
Good ,better,and best are all  unprovable biased illusions in art.
mando

On Nov 15, 2009, at 7:15 AM, Chris Miller wrote:

>> If one becomes a curator, the work invariably reflects the one's
>> personal
> taste. The expertise quality only means that the choices they may
> make are
> broader between two aesthetically subjective points, what do you
> think?
> (Mando)
>
> "Broader" is one issue, and it's an  important one. (though it's also
> difficult, since "broadness" cannot be all inclusive)
>
> But  youbre forgetting how concerned youbve been about the
> difference
> between bchicken and rabbitb Isnbt the ability to make that
> distinction
> one criterion of expertise that is very important to you?
>
> Another might be experience.  Could a person who has never been to
> an art
> museum possibly qualify as an art expert?  Or  a person who could
> not tell
> sort paintings by the century in which they were made?
>
>
> Youbve conflated expertise with unanimity of opinion, and that
> doesnbt
> happen even in the sciences.
>
> So you won't allow that one subjective opinion might be better than
> another,
> and you've ended up with Michael, despairing of the entire project
> of vetting
> experts, which admittedly is complex and difficult.
>
> But if you like to see other peoplebs art (possibly you donbt?),
> youbve
> got be concerned with who is screening what will be available for
> you, and the
> rest of the public, to see.
>
> Therebs something defeatist about an artist who doesnbt care
> about that,
> and I canbt believe you felt that way when you were beginning your
> studies.
>
>
>
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