might aesthetic reflection work better - and allow the ecstasy be
understood as affect


On Sat, Dec 28, 2013 at 3:39 PM, armando baeza <[email protected]>wrote:

> CHEERS! SKEP'S
>
> AB
>
> On Dec 28, 2013, at 12:28 PM, [email protected] wrote:
>
> > In a message dated 12/28/13 12:48:00 PM, [email protected] writes:
> >
> >
> >> Cheerskep's wish to limit the quest for understanding aesthetic
> >> experience to
> >> something akin to sexual orgasm suggest to me a simple desire for more
> >> sex.
> >>
> > I've never on this forum tried to LIMIT the quest for understanding; I
> > claim that with my repeated urging of listers to examine the feeling
> > occasioned
> > by "art" has been an attempt to EXPAND the quest. This forum has for
> years
> > talked about many interesting topics in aesthetics, but, for me, this
> > aesthetic ecstasy has been a mystery at the heart of "art", and I've
> always
> > thought
> > we ought to look into it.
> >
> > William writes further:
> >
> > "I wonder if the people who actually make art - being so engaged in the
> > process, etc., don't have the 'orgasm' Cheerskep considers the proof of
> > aesthetic experience because they must maintain distance.
> > Wc"
> >
> > William touches on something interesting here. But my guess as to why the
> > creative artist is not in a constant state of aesthetic ecstasy is that
> they
> > CAN'T maintain the distance required. The working artist is for most of
> his
> > work day like a highly skilled craftsman -- say, an architect who's also
> the
> > construction engineer responsible for building the whole "beautiful"
> > structure. The engineer may have at the back of his mind a vision of the
> > completed
> > work, but at any given moment he's likely to be inside a dark shaft
> trying
> > to figure out how to use this elevator shaft as also the conduit for
> > electrical wiring and air-condition pipes. It's hard to thrill to the
> gorgeous
> > total-building design at moments like that.
> >
> > Even so, many working artists get occasional jolts of exultation as they
> > solve today's demand for a certain effect right here.
> >
> > I'd also respond to William that I think he has it wrong when he says
> > "Cheerskep considers [the orgasm-like aesthetic ecstasy to be] the PROOF
> of
> > aesthetic experience".   I can't be sure what William has in mind with
> 'proof'
> > there. I don't think of experiencing a taste-delight as "proving" that
> one
> was
> > hungry or even had an appetite. It may be thought of as proving something
> > about the taste buds or the pleasing quality of the food consumed. Which,
> if
> > we think about it, may be an exact comparison to what I've been asking
> all
> > along:   What is going on when someone has an a.e.? Rephrased: What does
> > one's having an a.e. prove?
> >
> > William has asserted he never uses "ad hominem" in his posting. I think
> he
> > often does. It should be beneath him to laugh off my aesthetic quest as
> > simply a manifestation of a desire for more sex. Beware of disdain,
> William.
> > It's the first resort of the baffled.
>
>


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