but what of those who do not create but receive

On Sun, Dec 29, 2013 at 4:28 PM, <[email protected]> wrote:

>  Then  we shouldn't call the initial impression aesthetic until after
> it has rolled through the other stages? I suppose this lets the man who
> weeps  with pleasure at both Crystal Chandeliers and   una poco fa off
> the hook. He can always  claim that when he thought it over he realized
> that Crystal Chandeliers was a mistake.
>
>
> -----Original Message-----
> From: saul ostrow <[email protected]>
> To: aesthetics-l <[email protected]>
> Cc: aesthetics-l <[email protected]>
> Sent: Sun, Dec 29, 2013 9:42 am
> Subject: Re: Aesthetic Ecstasy
>
> My point is there is a stimuli (an impression) the affect (consequence)
> of
> that is the discernment (the judgment) that the experience I have had
> is one I
> come to associate with something called the aesthetic ( in that it
> primarily
> stimulates/ appeals to my senses)  - reflecting up this I determine if
> I have
> found it to be pleasurable or not and to what degree -
>
> The experience is a reflex (partially intuited and partially tacit) -
> the
> reflection and discernment learned - the determination subjective
> (taste)
>
> Sent from my iPhone
>
>  On Dec 29, 2013, at 9:09 AM, [email protected] wrote:
>>
>> aesthetic effect is ecstasy,judgement   follows, or the result of the
>> effect is judgement,or the judgement is ecstasy after the effect and
>> whatever follows after in the shape of reflection and  and the forming
>> of an opinion is also called judgement?
>>
>> -----Original Message-----
>> From: saul ostrow <[email protected]>
>> To: aesthetics-l <[email protected]>
>> Cc: aesthetics-l <[email protected]>
>> Sent: Sun, Dec 29, 2013 1:25 am
>> Subject: Re: Aesthetic Ecstasy
>>
>> Aesthetic effect - ecstasy
>> Aesthetic effect - judgement
>>
>> Sent from my iPhone
>>
>>  On Dec 28, 2013, at 9:38 PM, [email protected] wrote:
>>>
>>> Saul said that judgment followed the aesthetic ecstasy  earlier in a
>>> different phrasing. I also think affect is a better word than
>>> experience  and certainly than ecstasy, which has other connotations
>>> and is a surprising choice on Cheerskep's part.The aesthetic affect
>>> can vary from a what was that to a much longer and more complex event
>>> and I would suppose that both extremes would have their own kinds of
>>> reflection.
>>>
>>> -----Original Message-----
>>> From: Cheerskep <[email protected]>
>>> To: aesthetics-l <[email protected]>
>>> Sent: Sat, Dec 28, 2013 6:25 pm
>>> Subject: Re: Aesthetic Ecstasy
>>>
>>> In a message dated 12/28/13 4:08:06 PM, [email protected] writes:
>>>
>>>
>>>  might aesthetic reflection work better - and allow the ecstasy be
>>>> understood as affect
>>>>
>>>> For some it certainly may. For me it doesn't, because I see three
>>>>
>>> different
>>> stages in the kind of aesthetic event I'm addressing. First, the
>>> raw-data
>>> encounter with the work -- seeing it, hearing it, reading it. Second,
>>> the
>>> almost immediate reaction -- the feeling I'm now calling aesthetic
>>> ecstasy.
>>> Third, any subsequent attempt to articulate what just happened, and
>>>
>> how
>>
>>> I felt,
>>> and (to the extent possible) why.   I persist in feeling third stage
>>> amounts to my "reflections". They can go on for a long time after the
>>> ecstasy
>>> itself is over. If you go to GOOGLE and enter the two words
>>> "Reflections on" you
>>> see a large number of essays with titles that begin that way, and,
>>>
>> for
>
>> me,
>>> that period of reflection is, for me, unmistakably different from the
>>> ecstasy. (Burke's REFLECTIONS ON THE FRENCH REVOLUTION runs to 98,000
>>> words. In
>>> literature-appreciation, there have been "Reflections on" given short
>>> stories
>>> that are longer than the story itself, and they are cerebral events,
>>> not the
>>> "feeling" itself.)
>>>
>>> But exactly what I've been claiming is that individual "words" do not
>>> "have" "meanings". That second stage -- the "ecstasy" -- is
>>>
>> emotional,
>
>> a
>>> "feeling", and I personally think of "reflections" as something
>>> collected in
>>> tranquility. If I burn my hand by encountering flame at the stove, I
>>> wouldn't think
>>> of the pain as a reflection on the flame. But that's my own personal
>>> word-use. If a different use works for someone else, there's no way I
>>> can call
>>> them "wrong". At most I might claim their use will occasion an
>>>
>> unwanted
>>
>>> notion
>>> in many readers (I often did that as an editor), but I could be wrong
>>> about
>>> that.
>>>
>>
>


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