Speaking of Olympus recorders I just picked up a DM-720.
I thought the DM-720 had long been discontinued.
I plan to use this recorder for general dictation work and note taking.


> On 9 Sep 2019, at 11:22 am, Hamit Campos <hamitcam...@gmail.com> wrote:
> 
> Yeah the LS-14 design is cool. I love the rubber down the sides. Reminds me 
> of the Zoom H2. I haven't felt up an H2N or an H5 which I recall Neal 
> meantioning has rubber like stuff on it. In the case of the 100 though I've 
> never felt 1 up I do find that there's something questionable wiht it what 
> whith how wind gets into the side. Something must not be seeled right.
> 
> On 9/8/2019 8:16 PM, Dane Trethowan wrote:
>> I don't know anything about the LS-7.
>> I have an Ls-14 which I also like a lot but it is radically different than 
>> the LS-P4 and the LS-100 units I have.
>> In my opinion the LS-14 is the best built of all the Olympus recorders with 
>> a tough plastic body and good rubber feet.
>> The feet of the LS-P4 are one of the recorders weaknesses and won't last too 
>> long.
>> 
>> 
>> -----Original Message-----
>> From: all-audio@groups.io <all-audio@groups.io> On Behalf Of Hamit Campos
>> Sent: Monday, 9 September 2019 10:08 AM
>> To: all-audio@groups.io
>> Subject: Re: [all-audio] digital audio recorders: looking for a specific type
>> 
>> Does the P4 look like the LS 7? Which the P2 apparently did. I kinda liked 
>> that razer look.
>> 
>> On 9/8/2019 7:53 PM, Dane Trethowan wrote:
>>> Okay you said what I meant to say in my earlier post.
>>> The Olympus LS-P4 isn’t a professional audio recorder and was never 
>>> intended to be.
>>> If you want a professional audio recorder then you’re better off starting 
>>> with the Zoom H1N and working your way up from there.
>>> For most audio recording jobs however the Olympus LS-P4 can really shine.
>>> Line-In jobs are a bit of a pain but can be done with the use of an 
>>> attenuation patch cord.
>>> The other remarkable thing about the LS-P4 is the amount of recording time 
>>> you can get out of 1 AAA rechargeable battery.
>>> Obviously the higher the sample and bit rate then the more battery power is 
>>> used but battery life can be improved significantly if you choose to record 
>>> in MP3 which may be all you need of you’re recording lectures or other 
>>> voice content.
>>> The Olympus recorders offer plenty of scope for power saving including the 
>>> turning off or dimming of lights and as some of us have no vision anyway 
>>> lights are something we don’t really need.
>>> 
>>> 
>>>> On 9 Sep 2019, at 9:42 am, Hamit Campos <hamitcam...@gmail.com> wrote:
>>>> 
>>>> Ah if ya want perfect than 1 must get the 744-T or what ever the new thing 
>>>> is now. Hmmmmmmmmm maybe it's the 788-T. But in any case yeah the points 
>>>> you made are all true and I agree. I also like that zoom wide feature that 
>>>> even the DMs had. It does make the stereo panning wider on your files. I 
>>>> know it adds more floor as Neal pointed out with the P-2 but still an epic 
>>>> feature. The fact they talk makes it so symple to do stuff on the fly.
>>>> 
>>>> On 9/8/2019 4:31 PM, Dane Trethowan wrote:
>>>>> I like many things about the LS-P4.
>>>>> First is its size which is of that of a small candy bar.
>>>>> Yes the menus talk and you can also set the clock however the file 
>>>>> listing doesn’t talk though that would be the only thing.
>>>>> The recorder handles up to 96K/24 Bit sampling and can also record in 
>>>>> FLAC as well as the usual MP3 and Wave formats.
>>>>> The LS-P4 handles Bluetooth so you can stream the audio of the recorder 
>>>>> to a set of headphones, speakers and so on.
>>>>> The recorder isn’t perfect but for less than $200 Australian the Olympus 
>>>>> is an absolute bargain for those wanting a handy recorder to record.. 
>>>>> well.. just about anything.
>>>>> 
>>>>> 
>>>>>> On 9 Sep 2019, at 4:16 am, Curtis Delzer <cur...@calweb.com> wrote:
>>>>>> 
>>>>>> what is it you particularly like about the ls-p4? does it have menus 
>>>>>> which talk, etc.
>>>>>> 
>>>>>> THANKS!
>>>>>> 
>>>>>> Curtis Delzer
>>>>>> HS
>>>>>> K 6 V F O
>>>>>> Rialto, CA
>>>>>> 
>>>>>> cur...@calweb.com
>>>>>> 
>>>>>> On 9/2/2019 4:41 PM, Dane Trethowan wrote:
>>>>>>> The problems with wind and the Olympus LS-100 are incredibly bad, you 
>>>>>>> just have to breathe on the machine to hear the noise.
>>>>>>> My favourite Olympous recorder by far is the LS-P4, at last Olympus 
>>>>>>> have something which perfectly fits into the recorder range and does 
>>>>>>> everything well except for playing back audio through the internal 
>>>>>>> speabut as people know I've never judged recorders by their dreadful 
>>>>>>> internal speakers anyway.
>>>>>>> Its possible in my view that we won't see another Olympus recorder with 
>>>>>>> XLR inputs and Olympus will just cater for the market it knows, the 
>>>>>>> voice recorder and camera market.
>>>>>>> 
>>>>>>> 
>>>>>>> -----Original Message-----
>>>>>>> From: all-audio@groups.io <all-audio@groups.io> On Behalf Of Hamit
>>>>>>> Campos
>>>>>>> Sent: Tuesday, 3 September 2019 9:19 AM
>>>>>>> To: all-audio@groups.io
>>>>>>> Subject: Re: [all-audio] digital audio recorders: looking for a
>>>>>>> specific type
>>>>>>> 
>>>>>>> Oh yeah the wind into the buttons thing. I've never felt up an LS-100 
>>>>>>> but that sounds like there are openings someware whre the wind is going 
>>>>>>> into. I remember Neal mentioning and demoing this. I didn't worry about 
>>>>>>> it as much as had I got 1 like I do with my H6 I'd mostly use my 
>>>>>>> AT-8022. Sure I did consider the issue because for run and gunn quick 
>>>>>>> out doors stuff it would be a problem. As is the over censitivity of 
>>>>>>> the XY H6 to wind. Dude those guys can't take wind at all. Shocked me 
>>>>>>> it did that the LS-14 mics can handle more wind.
>>>>>>> 
>>>>>>> On 9/2/2019 6:38 PM, Dane Trethowan wrote:
>>>>>>>> Unfortunately - as good as the LS-100 is - the recorder has its share 
>>>>>>>> of problems.
>>>>>>>> Rule number one with the LS-100 recorder seems to be, "Don't do any 
>>>>>>>> outdoor field recording".
>>>>>>>> Wind gets into this recorder even if the recorder is dressed in a 
>>>>>>>> windscreen, that shouldn't happen with a recorder supposedly as good 
>>>>>>>> as the LS-100 is.
>>>>>>>> 
>>>>>>>> 
>>>>>>>> -----Original Message-----
>>>>>>>> From: all-audio@groups.io <all-audio@groups.io> On Behalf Of
>>>>>>>> Aidan
>>>>>>>> Sent: Tuesday, 3 September 2019 7:23 AM
>>>>>>>> To: all-audio@groups.io
>>>>>>>> Subject: Re: [all-audio] digital audio recorders: looking for a
>>>>>>>> specific type
>>>>>>>> 
>>>>>>>> But why did olympus stop the ls100, why did they not make a new model 
>>>>>>>> improved? I am worried because they seem to have less models now and 
>>>>>>>> the american site is not up rite now. Hope they won't faid away, but 
>>>>>>>> even though, they stil didn't get to the level zoom did, and its 
>>>>>>>> defnitly wundering why not enough blind people use these? I mean half 
>>>>>>>> of them might not even no what fantum power is.
>>>>>>>> 
>>>>>>>> On 9/2/19, Hamit Campos <hamitcam...@gmail.com> wrote:
>>>>>>>>> Actually as an adendum they being Olympus must've at 1 point
>>>>>>>>> because they did make the DM-4. So maybe they figured it out
>>>>>>>>> even if when the first 3 DS recorders that spoke only did for
>>>>>>>>> what ever ease of use reason they did to start with.
>>>>>>>>> 
>>>>>>>>> On 9/2/2019 4:40 PM, Hamit Campos via Groups.Io wrote:
>>>>>>>>>> Well for general recording it's usable enough. the only real
>>>>>>>>>> problems are that 1 no talking so you will need help when menu
>>>>>>>>>> diving. Then 2 no beeps music or nothing like the PTRs or
>>>>>>>>>> Olympus's so you'll need headphones to know what is armed
>>>>>>>>>> what's not and how many tracks are armed. But for grabbing and
>>>>>>>>>> going meh once you've gotten the menu diving and track arming out of 
>>>>>>>>>> the way you good. I have 1 and love it.
>>>>>>>>>> I got it because it's a 6 channal recorder and it has a
>>>>>>>>>> brighter sound than the LS 100. I only meantioned teh 100
>>>>>>>>>> because you asked for a "blind friendly" recorder. Sad ain't
>>>>>>>>>> it? That there's nothing that's
>>>>>>>>>> PTR2 accessible but with XLRs phantum and that is studio grade.
>>>>>>>>>> Could it be that it's supposed that blind people either don't
>>>>>>>>>> care for studio gear or don't know enough to do so? Sorry if
>>>>>>>>>> that offends anyone but 1 does have to wander why there's no
>>>>>>>>>> true studio grade blind friendly gear. Remember friends who
>>>>>>>>>> knows why the Olympus DS
>>>>>>>>>> 50 even spoke in the first place. Did olympus know or care
>>>>>>>>>> blind people used them? Who even knows.
>>>>>>>>>> 
>>>>>>>>>> On 9/2/2019 3:55 PM, Christopher Wright wrote:
>>>>>>>>>>> How accessible is the h6?
>>>>>>>>>>> 
>>>>>>>>>>> On 9/2/2019 3:50 PM, Aidan wrote:
>>>>>>>>>>>> Yes, just keep in mind that ls100 cannot record from 2 or
>>>>>>>>>>>> more inputs at the same time, only one at a time. Whereas the
>>>>>>>>>>>> zoom h6 can, and to turn each input on/off, is very easy.
>>>>>>>>>>>> 
>>>>>>>>>>>> On 9/2/19, Hamit Campos <hamitcam...@gmail.com> wrote:
>>>>>>>>>>>>> There use to be, the Olympus LS-100. So if you can find 1 on
>>>>>>>>>>>>> EBay or Amazon go for it.
>>>>>>>>>>>>> 
>>>>>>>>>>>>> On 9/2/2019 3:29 PM, Christopher Wright wrote:
>>>>>>>>>>>>>> Hi,
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> Is there a blind-user-friendly audio recorder that has dual
>>>>>>>>>>>>>> XLR/1/4″ combo inputs or one XLR input and a 3.5mm input
>>>>>>>>>>>>>> that goes to a separate channel?
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> This question was inspired by the following blog post:
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> https://thepodcastersstudio.com/recording-skype-with-no-mix
>>>>>>>>>>>>>> er-or
>>>>>>>>>>>>>> -
>>>>>>>>>>>>>> software/
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> 
>>>>>>>> 
>>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>> 
>>>> 
>>> 
>>> 
>> 
>> 
>> 
>> 
>> 
>> 
> 
> 
> 


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