The Growing Up Diaries
AR Rahman tells Lalitha Suhasini he feels recharged with Mangal Pandey
        
The Indian Express

HE describes his last three scores for Swades, Kisna and Netaji Subhash Chandra 
Bose: The
Forgotten Hero as a giant leap. ‘‘They weren’t 50 per cent samplers,’’ says AR 
Rahman, ‘‘They
were 80-90 per cent raag-based, and I got a chance to grow. The Czech film 
orchestra (in Bose)
was also one such instance.’’

His latest compositions for yet another epic Mangal Pandey: The Rising take 
time to work their
magic. Mangal Mangal doesn’t leave you as elated as the Lagaan numbers did, 
though singer
Kailash Kher loses himself in the track, reaching some unknown place within 
himself. ‘‘It’s a
mix of an abhang (devotional song) and an aalhaa, and it changes colour through 
the film,’’
says director Ketan Mehta.

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An aalhaa is a folk-style rendition (popular in Uttar Pradesh, Madhya Pradesh 
and Rajasthan),
traditionally used to rouse the warrior spirit. ‘‘The song plays the role of a 
sutradhaar
(narrator) and appears at various points of the film,’’ explains lyricist Javed 
Akhtar. So,
there are three variations (there were four to start with). Our favourite is 
the Aatma version,
with Sukhwinder Singh and Kher.

Main Vari Vari is a superb mujra, with a jhalak of Bombay’s Kehna Hai Kya, and 
Kavita
Krishnamurthy has never sounded sweeter. ‘‘We were struggling with this mujra 
based on a
thumri,’’ says Mehta of his favourite pick. The Chennai-based composer says the 
change in the
lyrics proved challenging. ‘‘Initially, Main Vari Vari was Mujhe Maro Maro, 
Mujhe Maro Na,’’ he
says. ‘‘Since Devdas had Maar Daala, I suggested the lyrics be changed.’’

The much talked about Holi Re, with Aamir Khan’s vocals, has good pickup, the 
usual festive
euphoria and meanders into a ’60s strain in the line Rang ki hai ghata, man 
jhoom utha.

The sexy, Spanish-flavoured Rasiya brings in Richa Sharma whose vocals throw up 
an image of a
voluptuous village belle. The percussion and string section bring back the 
sound of Chanda Re
from Sapnay.

Al Maddath Maula is another experiment (a la Zikr in Bose). Rahman has an 
affinity to Sufi and
spiritual numbers and, not surprisingly, he sings for this one too.

None of these might eventually be commercial hits. ‘‘In a way, it does affect 
me,’’ admits
Rahman. ‘‘I know people feel the void due to the lack of fast-paced shows.’’

Why haven’t we heard another album of chartbusters like, say, a Taal, a 
Rangeela or even a Yuva
from the biggest name in Indian music? “There are two young films coming up,’’ 
he says, listing
director Rajiv Menon and scriptwriter Abbas Tyrewala’s upcoming ventures. And 
adds that Rang De
Basanti also has some peppy tunes.

Mangal Pandey is a curiosity pick or an album for Rahman fans—the masses may 
not rise to the
occasion this time around.

But there’s good news for those who love it. Look out for a CD of the film’s 
background music,
due out next month. ‘‘For Bose, we had it all in one,’’ says Rahman. ‘‘It was 
all mixed up like sambhar.

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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This August, Discover the Birth of Your Independence
and The Magic of A.R.Rahman's Music in 
Mangal Pandey - The Rising
http://www.risingthefilm.com
http://www.mangalpandeythefilm.com
Music released: Jul 14, 2005 Movie releases: Aug 12, 2005

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