...........Music directors from
Shankar-Jaikishen to A.R. Rahman have been struck by Salil da's felicity in
matching orchestration with emotions..........The skilful use of obligato, the
counter melody flowing around the main melody, is an unfailing attraction of his
music.........Both Ilayaraja and A.R. Rahman followed the path charted by him.
Ilayaraja was introduced to the film industry as guitarist and combo organ
player in Salil da's recordings and his influence on Ilayaraja is evident. R.K.
Sekhar, Rahman's father, worked with Salil da as an assistant. Rahman
himself testifies that attending Salil da's recording sessions at a young age
left an indelible impression on him.
Manoj
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