I think we should restrict discussions only to ARR

On 3/25/08, mbthuglak <[EMAIL PROTECTED]> wrote:
>
>   Not trying to push a point here - just pointing out to have a wider
> perspective!
>
> Quoting verbatim from what Guitar Prasanna said in
> http://www.raaja.com/guitarprasanna/
>
> I have never heard a guitar even remotely out of tune in Raaja's
> songs for example (believe me, that's very rare in general). I have
> to make a special mention of Raaja's use of the electric bass
> guitar. I have never heard such meticulous written bass parts (its
> clearly written carefully), as it is in Raaja's - song after song
> after song
>
> Example are at!
> http://www.geocities.com/violinvicky/BossOfBass.html
>
> Best
> Ganesh
>
> --- In arrahmanfans@yahoogroups.com <arrahmanfans%40yahoogroups.com>,
> "Thulasi Ram" <[EMAIL PROTECTED]>
> wrote:
> >
> > Raghu! din expect this from u!!! any examples of that MD using an
> electric
> > guitar??? i've hardly heard his songs have any traces of guitar..
> and it is
> > really surprising to hear that he used every possible version of
> guitar..
> > oops!~!
> >
> > i dont know abt RDB but i think that one should agree that ARR
> uses ever
> > version of guitar or any other instrument in the best possible way
> it could
> > be handled..
> >
> > ARR handles the sound even from a dolak in a more "professional"
> manner..
> > that's his amazing musical trait..
> >
> > the song that immediately strikes my mind is "kannodu
> kanbedhellam".. the
> > melam percussion was handled in a serene way and it added so much
> beauty to
> > the song.. there is only one reason for that: it is ARRs magic!
> >
> > On Thu, Mar 20, 2008 at 8:25 PM, arr_raghu <[EMAIL PROTECTED]> wrote:
> >
> > > Illaya Raja must have used every possible version of guitar.
> > >
> > > arrahmanfans@yahoogroups.com 
> > > <arrahmanfans%40yahoogroups.com><arrahmanfans%40yahoogroups.com>,
> Prasad
> > > Varma <svspvarma@> wrote:
> > > >
> > > > I am afraid not.
> > > >
> > > > I think RDB first used it way back in 1970 in the song Gulabi
> Ankhen
> > > from The Train.
> > > >
> > > > http://www.youtube.com/watch?v=z4e3hQDsEJQ
> > > >
> > > > RDB had a trademark sound characterized by a unique rhythm and
> the
> > > bass guitar in the back ground which made most of his songs
> instantly
> > > recognizable.
> > > > dont have th
> > > > Here's another example from Yeh Vaada Raha which came out in
> the
> > > early 80s:
> > > >
> > > > http://www.youtube.com/watch?v=Svsh7ayHRak.
> > > >
> > > > Of course I also love the way ARR weaves the bass guitar
> around his
> > > melodies sometimes building the entire song around the bass loop
> > > itself. Perfect example - The title song from Dil Se:
> > > >
> > > > http://www.youtube.com/watch?v=6qbbXBnVTuw
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > ----- Original Message ----
> > > > From: Chord <purevibz@>
> > > > To: arrahmanfans@yahoogroups.com 
> > > > <arrahmanfans%40yahoogroups.com><arrahmanfans%
> 40yahoogroups.com>
> > > > Sent: Thursday, March 20, 2008 11:56:25 AM
> > > > Subject: [arr] Is using bass guitar unique to ARR?
> > > >
> > > > I think ARR using bass guitar in his songs is just
> > > brilliant. It adds
> > > > a sonic dimension that makes a song sound more complete and
> > > > fulfilling. Latest case in point is Khwaja Mere Khwaja. Is he
> the
> > > > first MD to really utilize the bass sound so consttuctively in
> film
> > > > songs?
> > > >
> > > >
> > > >
> > > >
> > > > <!--
> > > >
> > > > #ygrp-mkp{
> > > > border:1px solid #d8d8d8;font-family:Arial;margin:14px
> > > 0px;padding:0px 14px;}
> > > > #ygrp-mkp hr{
> > > > border:1px solid #d8d8d8;}
> > > > #ygrp-mkp #hd{
> > > >
> > > color:#628c2a;font-size:85%;font-weight:bold;line-
> height:122%;margin:10px
> > > 0px;}
> > > > #ygrp-mkp #ads{
> > > > margin-bottom:10px;}
> > > > #ygrp-mkp .ad{
> > > > padding:0 0;}
> > > > #ygrp-mkp .ad a{
> > > > color:#0000ff;text-decoration:none;}
> > > > -->
> > > >
> > > > <!--
> > > >
> > > > #ygrp-sponsor #ygrp-lc{
> > > > font-family:Arial;}
> > > > #ygrp-sponsor #ygrp-lc #hd{
> > > > margin:10px 0px;font-weight:bold;font-size:78%;line-
> height:122%;}
> > > > #ygrp-sponsor #ygrp-lc .ad{
> > > > margin-bottom:10px;padding:0 0;}
> > > > -->
> > > >
> > > > <!--
> > > >
> > > > #ygrp-mlmsg {font-size:13px;font-family:arial, helvetica,
> clean,
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> > > > #ygrp-mlmsg table {font-size:inherit;font:100%;}
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> > > > #ygrp-text{
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> > > > #ygrp-text p{
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> > > > #ygrp-tpmsgs{
> > > > font-family:Arial;
> > > > clear:both;}
> > > > #ygrp-vitnav{
> > > > padding-top:10px;font-family:Verdana;font-size:77%;margin:0;}
> > > > #ygrp-vitnav a{
> > > > padding:0 1px;}
> > > > #ygrp-actbar{
> > > > clear:both;margin:25px
> > > 0;white-space:nowrap;color:#666;text-align:right;}
> > > > #ygrp-actbar .left{
> > > > float:left;white-space:nowrap;}
> > > > .bld{font-weight:bold;}
> > > > #ygrp-grft{
> > > > font-family:Verdana;font-size:77%;padding:15px 0;}
> > > > #ygrp-ft{
> > > > font-family:verdana;font-size:77%;border-top:1px solid #666;
> > > > padding:5px 0;
> > > > }
> > > > #ygrp-mlmsg #logo{
> > > > padding-bottom:10px;}
> > > >
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> > > > margin-bottom:20px;padding:0px;}
> > > > #ygrp-reco #reco-head {
> > > > font-weight:bold;color:#ff7900;}
> > > >
> > > > #reco-grpname{
> > > > font-weight:bold;margin-top:10px;}
> > > > #reco-category{
> > > > font-size:77%;}
> > > > #reco-desc{
> > > > font-size:77%;}
> > > >
> > > > #ygrp-vital{
> > > > background-color:#e0ecee;margin-bottom:20px;padding:2px 0 8px
> 8px;}
> > > > #ygrp-vital #vithd{
> > > >
> > >
> > > font-size:77%;font-family:Verdana;font-
> weight:bold;color:#333;text-transform:uppercase;}
> > > > #ygrp-vital ul{
> > > > padding:0;margin:2px 0;}
> > > > #ygrp-vital ul li{
> > > > list-style-type:none;clear:both;border:1px solid #e0ecee;
> > > > }
> > > > #ygrp-vital ul li .ct{
> > > >
> > >
> > > font-weight:bold;color:#ff7900;float:right;width:2em;text-
> align:right;padding-right:.5em;}
> > > > #ygrp-vital ul li .cat{
> > > > font-weight:bold;}
> > > > #ygrp-vital a{
> > > > text-decoration:none;}
> > > >
> > > > #ygrp-vital a:hover{
> > > > text-decoration:underline;}
> > > >
> > > > #ygrp-sponsor #hd{
> > > > color:#999;font-size:77%;}
> > > > #ygrp-sponsor #ov{
> > > > padding:6px 13px;background-color:#e0ecee;margin-bottom:20px;}
> > > > #ygrp-sponsor #ov ul{
> > > > padding:0 0 0 8px;margin:0;}
> > > > #ygrp-sponsor #ov li{
> > > > list-style-type:square;padding:6px 0;font-size:77%;}
> > > > #ygrp-sponsor #ov li a{
> > > > text-decoration:none;font-size:130%;}
> > > > #ygrp-sponsor #nc{
> > > > background-color:#eee;margin-bottom:20px;padding:0 8px;}
> > > > #ygrp-sponsor .ad{
> > > > padding:8px 0;}
> > > > #ygrp-sponsor .ad #hd1{
> > > >
> > >
> > > font-family:Arial;font-weight:bold;color:#628c2a;font-
> size:100%;line-height:122%;}
> > > > #ygrp-sponsor .ad a{
> > > > text-decoration:none;}
> > > > #ygrp-sponsor .ad a:hover{
> > > > text-decoration:underline;}
> > > > #ygrp-sponsor .ad p{
> > > > margin:0;}
> > > > o{font-size:0;}
> > > > .MsoNormal{
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> > > > #ygrp-text tt{
> > > > font-size:120%;}
> > > > blockquote{margin:0 0 0 4px;}
> > > > .replbq{margin:4;}
> > > > -->
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
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>
> 
>



-- 
regards,
Vithur

A.R.Rahman - The Adorable Human Being

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