A nice and logical response, Rawatji. Way to go. Warm Regards ~~~~~~~~~~~~~~~ Vinayak
On Tue, Oct 21, 2008 at 10:33 AM, V S Rawat <[EMAIL PROTECTED]> wrote: > On 10/21/2008 5:37 AM India Time, _s_sundarr_2000_ wrote: > > > My take: > > > > 1) Once Yuvvraaj comes to an end, one wonders that which of the songs > > from the album would turn into a chartbuster. > > My take: > > Shano is going to be most popular. > Mastam is going to be the runner up. > > in terms of chart toppings. > > > 2)Dil kas rishta, manmohini and tu muskura are the top 3 numbers no > > doubt. One similarity I could notice is the use of ALAAP in all 3, > > Whenever he uses them, its almost a gauranteed hit. Good track tu > > muskura becomes excellent bcoz of javed ali's alaap. > > yeah, these songs are great and soothin. > > But, a hip hop dance song would always become more popular than soothing > songs. > > > > > 3)I have an excellent audio system, somehow the other numbers are just > > petrol on top of water, doesn't sink in. > > Sundar can't listen, saala. > :-) > > > > > 4)Not "all" rahman tracks grows on you. > > We all say that before the tracks grow on us. :-) > > > > > 5)Picturisation may save some tracks, which cannot be said at this time. > > Picturization had helped many an albums in the past and turned the chart > toppings. > > In 80s, Madhuri Dixit/ Anil Kapoor's film Beta (Anand Millind)'s Koyal > Si Teri Boli was ruling the charts but when the movie got released, the > sensuous picturization of Dhak Dhak Karne Laga moved to the top and > removed Koyal. > > In 90s, Madhuri Dixit/ Sanjay Kapoor's film Raja (Nadeem Shravan)'s > Nazrein Mili Dil Dhadka was a hit but when the movie got released, the > naughty, mischievous picturization of Ankhiyaan Milaaoon Kabhi moved to > the top and removed Love you raja. > > Of course, picturization can help and anything can happen. > > But, there is a catch. > > Ghai is still holding his musical sensitivities, but his directorial > capabilities have taken a down slide. His films are not doing well, and > he has lost the grip on public's pulse. His latest many movies are > outright shabbiliy made. > > Even taal was badly made movie. Other than Anil Kapoor's new type of > practical, pragramtic, wordly-wise characterization, there was nothing > new in Taal that one can notice and remember (of course, Aish's beauty > and ARR's music were there). The scene where Akshay's dad insults Aish > and her father and the way Akshay reacts was outright sickening. > > Pardes's climax of Mahima running away, and then showing the guy's love > bites to the elders was sickening. > > Yaadein's climax of that shareholders' meeting showing cards to jury the > fate of love of the duo was unrealistic. > > So, I am not expecting much, visually, from Subhash Ghai this time also. > > In any case, this album has its own perfect foundation and it would > bring viewers to the theatres, exactly what happened in Taal, even the > movie is badly done. > > > > > 6)Ghai rightly quoted "Taal - Best Musical Ever" from rahman. He > > knows, rahman knows... > > A statement is valid at the time it is made. That EVER meant SO FAR. It > has been 9 years. They are duly entitled to revise their statement or > surpass it. > > > > > Cheers > > Sundar (melbourne). > > Thanks > -- > Rawat > >
