Oh my oh my oh my oh my, 5 stars!!!!!!!!!!!!!!

On Tue, Nov 25, 2008 at 6:15 AM, Gomzy™ <[EMAIL PROTECTED]> wrote:

>
> http://www.rediff.com/movies/2008/nov/25rahman-goes-gloriously-wild-with-ghajini.htm
>
> Rahman goes gloriously wild with *Ghajini*
>
> *Raja Sen | *November 25, 2008 19:14 IST
>
>
> A scene from *Ghajini*.
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>
> Sometimes you just can't help but gush.
>
>
>
> An AR Rahman album is often cause for celebration, but I've always been
> partial to the albums where he seems to be experimenting even more than
> usual. There's a palpable childlike enthusiasm in tracks where he riffs with
> such constant improvisation that the results are as close to jazz as
> Bollywood can get.
>
>    - *Also Read: What Aamir Khan won't do for 
> Ghajini<http://specials.rediff.com/movies/2008/nov/21slid1.htm>
>    *  <http://specials.rediff.com/movies/2008/nov/21slid1.htm>
>
> Putting it simply, *Ghajini 
> [Images<http://search.rediff.com/imgsrch/default.php?MT=ghajini>
> ]* is a phenomenal album. You'll find -- and argue over -- your individual
> favourite tracks, but very honestly, this could just be one of his finest
> albums ever. Not just are the tracks great, but each one segues into the
> next with perfect unpredictability. There is much chaos and musical anarchy
> packed into this taut album, but when the revolution is in the hands of this
> man, well, don't you know it's gonna be alright?
>
>
>
> As soon as the opening bars of 
> *Guzarish<http://specials.rediff.com/movies/2008/nov/06video2.htm>
> * kick in, you know you're onto something special. Rahman structures the
> deceptively simple-sounding basic melody almost into a fugue, the melodic
> lines intertwining around each other into a wonderfully complex tune. Javed
> Ali's vocals start easy before they progressively reach a point where his
> tongue is excitedly tripping over the words, before AR tosses in some space
> for refrain. This is ballad as it should be, an intoxicating song best left
> played on loop for a good half hour. Let the brilliance seep in, you'll love
> it.
>
>
>
> *Aye Bachchu* starts off with a raspy-radio feel, hiss and crackle barely
> masking the aggression displayed by a couple of punchy guitars revving each
> other up like duelling bikers. It doesn't seem very Rahmanesque at first,
> but the way he builds up something this arbidly belligerent around a series
> of simple melodies, each cutting unpredictably into the other... wow. It's a
> 3.49 long track, but Rahman fills each second with pure energy, making it
> seem way longer. This one's destined to be a college anthem.
>
>    - *Also Read: How Aamir got his Ghajini 
> cut<http://specials.rediff.com/movies/2008/nov/24sd1-how-aamir-khan-got-his-ghajini-cut.htm>
>    *
>
> The nearly-headbanging vibe gives way to *Kaise Mujhe*, a mellow duet sung
> by Benny Dayal and Shreya Ghoshal. Dayal is made to sound somewhat like
> Rahman himself, and the only problem with this innocuous mush-track is the
> fact that the composer's structure overwhelms Prasoon Joshi's deftly
> balanced lyrics. The words are less accessible than they deserve to be. Yet
> when Ghoshal kicks in, she's given enough room to play. Of course, in all
> likelihood we'll be worshipping the track after forty listens.
>
>
>
> *Behka<http://specials.rediff.com/movies/2008/nov/25video1-aamir-dances-to-bheka-song-from-ghajini.htm>
> *has one of the most intriguing opening seconds of any Rahman song, a
> flirty keyboard tangoing merrily around a heavily thudding snare drum. So
> heady is the rush this start gives you that you want it to go on for longer,
> but AR cuts you off craving more as a youngster called Karthik proceeds to
> rock the vocals.
>
>
>
> Joshi's lyrics are fantastic, and when the langurous *Behka-Behka* chorus
> kicks in, it's hard not to be swept away. And just when you know which way
> the track is headed, Rahman mixes things up with all the glee of a mad
> scientist. And what a funky Frankenstein he serves up. A very hard track not
> to grin immediately at.
>
>    - *Also Read: Bollywood's latest love 
> story<http://specials.rediff.com/movies/2008/nov/18slide1.htm>
>    *
>
> "Houston... the eagle has landed"? Perhaps the last words you expect to
> hear in an ARR soundtrack, but the man is clearly having fun with *Latoo,*a 
> joyous ditty where the composer goes into sampling mode with an eclectic
> bag of sounds. The sounds seem poured sporadically into the mix, but the
> layering is a silky masterclass. Ghoshal does well, almost as well as the
> male chorus singers -- who seem to be singing, um, 'Zimbabwe!'(?). Living up
> to its name, this is a very standard track except poured through an aural
> kaleidoscope. Much madness ensues.
>
>
>
> The *Kaise Mujhe* instrumental, honestly, is basically Rahman showing off.
> Heh. It's the master showing off an immaculate composition without letting
> singers and vocalists get in the way. And it works beautifully.
>
>
>
> Ah, damn the review. Buy it now.
>
>
>
> *Rediff Rating: *
>
>  
>

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