A R Rahman's music score too has a few chart busters, like ‘Gujarish’ and the 
excellently choreographed ‘Behka’.
-----------------------------
Ghajini (action) 
Cast : Aamir Khan, Asin, Jiah Khan, Pradeep Rawat 
Direction : A.R. Murugadoss 
Critics rating :  
downshowrating=1

AAMIR Khan always knew the importance of being earnest, ever since his Qayamat 
Se Qayamat Tak days. Taare Zameen Par saw his zeal taking on new colours. The 
actor not only made his directorial debut with the film, but also displayed a 
newfound desire to dabble with meaningful cinema, after attaining a career-high 
in regular mainstream glitz. With Ghajini , he once again does a U-turn. He 
waltzes back to the no-holds-barred formula, once again. And he does it with 
the same earnestness with which he made a Ghulam, a Sarfarosh . Of course, his 
wounded, battered, bicep-laden, revenge-thirsty Sanjay Singhania of Ghajini is 
a much more mature and masterly rendition of the familiar action hero of 
mainstream masala . 

The high point of Ghajini is Aamir Khan's class act of the hero who switches 
from a shy, taciturn tycoon who finds love in the alley -- with an ekdum 
ordinary girl -- to a vulnerable killing machine who mauls his prey like a 
wounded tiger. Roars and grunts, included! Aamir has hardly anything to say in 
the entire film. And yet, he speaks volumes -- with his silences, his 
expressions, his body language, his helplessness, his guttural, anguished 
shrieks and then his vacant stare again. A man who suffers from short term 
memory loss must not only remember the horror of his past, but seek out his 
beloved's (Asin) killers too and finish them off. Even though, he might just 
forget what he's doing while battering them. All he has to help him in his 
mission are a few scrawls on his body, his walls, his unfinished diaries, his 
polaroid snapshots, his fading memory cells and a friendly medical student 
(Jiah Khan). Not much to go by, specially when the bad guys
 (Pradeep Rawat and co.) choose to erase most of the clues, including his 
tattoos. 

Aamir scores not only as the action hero, where he brings back old-fashioned 
physical combat to Bollywood guts and gore, but he impresses as the diffident 
biz honcho too who is willing to travel in buses and scootys with his buoyant 
Ms Congeniality. Only because she thinks he's a struggling model who might just 
be ready to shoot for a ‘chaddi' ad in his desperation. 

The other place where the film scores is in its narration. Loosely inspired by 
Christopher Nolan's Memento , the film moves back and forth in time, as it 
juxtaposes an effervescent romance in the past against a brutalised, spaced-out 
present. The two time zones criss-cross interestingly, leaving enough suspense 
to keep the viewer attentive. 

The film also boasts of a polished act by Asin who makes her debut in Bollywood 
with a spontaneous rendition of the good Samaritan Mumbai girl who breezes her 
way through life, with a smile and a helping hand for all and sundry. A R 
Rahman's music score too has a few chart busters, like ‘Gujarish’ and the 
excellently choreographed ‘Behka’. 

So what's the hitch, you might ask. Firstly, the film needs some tighter 
editing, specially in the fight sequences. Second, it needed a real bad guy who 
could live up to the eponymous character. Pradeep Rawat as Mr Ghajini, with his 
white shoes, his gold tooth and his ho-hallah brigade isn't as menacing as the 
title would like us to believe. And lastly, the heroine's conflict with Mr 
Ghajini -- the fulcrum of the revenge drama -- just happens out of the blue. 
Not quite convincing. 

All in all, Ghajini is a thoroughbred Bollywood film which celebrates the 
formula with panache. Enjoy the unadulterated desi! 
 
http://timesofindia.indiatimes.com/moviereview/3887926.cms
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