NOTE: Aish King's pronunciation is stupid and full of errors. This guy 
should take Hindi/ Urdu grammar and speech classes, or ARR should stop 
using him. I don't know why ARR corrected him while recording.

--

Is this song in the genre of Khamosh Raat of Takshak?? :-) Or, is it 
even more? There are shades of Khamosh Raat in it.

--

Dil mera
(my heart)

Dil gira kahin pe
(my heart has fallen somewhere)

Dil Gira kahin per daf_atan
(daf_atan: (urdu) all of a sudden, unexpectedly)
(my heart has fallen somewhere, all of a sudden)

Jaane magar ye nayan
(but these eyes know)

Teri khamosh zulfon ki gehraiyaan
(the depths of your silent hairlocks)

Hai jahan dil meraa uljha hua hai
(where my heart is entangled)

wahi kho gaya
(there itself it, the heart, has got lost) - (NOTE: wahi should be wahin)

Tu magar hai bekhabar, hai bekhabar…
(but you are ignorant of it all)

Kyun goonj rahi hai dhadkan
(why is the sound of heartbeats echoing)

Seepiyon ke honth se moti chhalak rahein hain
(pearls are getting sprinkled from the lips of shells)
NOTE: beautiful choice of words. Pearls got formed in shell in the sea. 
the shells look like lips, in which teeth are like pearls which are 
seen. meaning - the girl is smiling. Prasoon does Gulzar proud.

Ghazlon ki sohbat mein geet bhi behek rahein hai
(in the companionship of ghazals, songs are also getting intoxicated)
NOTE: ghazals are more a form of earthly, beauty things - sharab, 
shabab, zulf, mehbooba, compared to other forms of poems. So, the 
ghazals are affecting those other songs also.

samandar lahron ki chaadar odh ke so raha hai
(the sea, having covered itself with a sheet of the waves, is seeping)

Par main jaagoon
(but I stay awake)

Ek khumaari, ek nashaa sa ho raha hai
(a sort of intoxication is taking over me)

Tu magar hai bekhabar, hai bekhabar
(but you are ignorant)
--

------------------------------------

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