Even though AB & MB 'wanted' to say the same thing as what Shekar Kaput has said, but their 'tone' of voice or their message was somewhere lost, the way Shekar Kapur has explained it in simple words. And thankfully, Shekar didn't evaluate the movie.
--- In arrahmanfans@yahoogroups.com, Vinayakam Murugan <mvinaya...@...> wrote: > > This is exactly what AB & MB said but got blasted for. > > My personal opinion is that the Oscar provides more visibility to ARR's work > for the entire world and extends its boundaries. So that definitely is an > achievement. > > Warm Regards > ~~~~~~~~~~~~~~~ > Vinayak > > theregoesanotherday.blogspot.com > > > On Tue, Jan 27, 2009 at 9:10 AM, Vithur <vith...@...> wrote: > > > (For the benefit of those who are unable to open the link) > > > > Rahman and the Oscars > > > > I am really happy for A R Rahman. He is a musical genius, and deserves > > everything he has got. In fact I gave him the title "Mozart of Madras" and > > it caught on. But does the West really get his art and his genius ? I > > remember getting into an argument with Andrew Lloyd Webber about allowing A > > R Rahman to explore his own creativity for Bombay Dreams. We had co produced > > the show and I had introduced Rahman and his music to him. > > > > I asked A R Rahman to score the music for Golden Age, and even then I was > > allowed only to take him as a co composer. And I watched as the studio > > rejected the most beautiful compositions from A R Rahman, because they did > > not get or were not willing to embrace something from another culture. As it > > happened the score of Golden Age was not half as good as it could have been. > > > > Recently Rahman did the score for my short film that I did for Swarovsky, > > called Paasage. The one I shot in Argentina. One of the pieces in it is a > > beautiful song and an aria in French. I ask people to guess where it is > > from, and they search for all the great composers of the western classical > > form. And are stunned when I tell them the piece was composed by A R Rahman, > > sung by an Indian girl from his Music Academy, and produced in his studio in > > Chennai. > > > > That is the genius of A R Rahman. Then why do we need the West to tell us > > how great he is ? > > > > And that's why I don't understand why this hype of the Oscars for A R Raham > > in Indian Media (Rah Rah Rahman was the TOI headline).. He is bigger than > > the Oscars Slumdog is not his best work. His music has been far more > > evocative than in Slumdog. > > > > We in India have a far greater culture of music. Our depth of understanding > > of music, its resonance, its culture, be it classical or modern, is far > > greater than any culture I know. So why don't I see that the West celebrates > > when one of their artists becomes popular here in India ? Why don't we see > > headlines in the LA times then ? > > > > Why do we admire the West so much. Even in my career I thought that Bandit > > Queen was a far far better film, a more heartfelt film, and a much more > > meaningful film than Elizabeth or any of the other films I made in the West. > > But in India I was suddenly celebrated as a film maker after Elizabeth. I > > even was awarded a Padma Shree after that film. Why ? Because the film was > > nominated for 7 Oscars, and Bandit Queen was not. > > > > When will we stop being aspirational towards the West ? > > > > On Tue, Jan 27, 2009 at 10:26 PM, Chord <purev...@...> wrote: > > > >> This is a great read. Thanks. > >> > >> --- In arrahmanfans@yahoogroups.com <arrahmanfans% 40yahoogroups.com>, > >> Aakarsh <aakarsh_vk@> wrote: > >> > > >> > http://www.shekharkapur.com/blog/archives/2009/01/rahman_and_the.htm > >> > > >> > ARR scored music for Shekhar's recent short-film, shot in Argentina. > >> > > >> > > >> > Regards > >> > Kamal Aakarsh Vishnubhotla. > >> > > >> > http://kamal-aakarsh.blogspot.com > >> > > >> > > >> > >> > > > > > > -- > > regards, > > Vithur > > > > > > > > > > >
