I think, why rahman(shankar) prefered old(outdated) techno sound is because the 
film should reach C center audience too. in my opinion


M.KALIDASAN
The Rahman Lover

--- On Tue, 3/8/10, AJ <purev...@yahoo.com> wrote:


From: AJ <purev...@yahoo.com>
Subject: Re: [arr] Enthiran Music Review - A 4 Point Masterpiece Only
To: arrahmanfans@yahoogroups.com
Date: Tuesday, 3 August, 2010, 6:02 PM


Thanks, Vithur!

--- In arrahmanfans@yahoogroups.com, Vithur <vith...@...> wrote:
>
> Excellent Review as usual Chord... Thanks for sharing.. Wonderful
> 
> On 8/3/10, AJ <purev...@...> wrote:
> > Enthiran Music Review
> >
> > I decided to write this review sooner than I thought due to the songs having
> > a more instant impact and having listened to the whole album at least 15
> > times since it came out.  Further time is not going to change my opinions.
> > My comments are only on the music, not the lyrics.
> >
> > I wonder if we really understand and appreciate the difficulty of Rahman's
> > job, no matter how musically brilliant he is.  He is human after all, and
> > not a robot. He has to keep in mind so many expectations and demands, esp.
> > when you have a leading film-maker and superstar with his own fan
> > following….Rajinikant.  Post Oscars, the expectations for Rahman have only
> > grown and I truly wonder how he manages to rise to the occasion each time,
> > whether we ourselves like an album or not.  With Shankar and Rajinikant at
> > hand, boy, Rahman must try to keep a lot of people happy all at once, yet
> > creating music fitting for the movie that's supposed to have sci fi, robo
> > themes!  If there's anyone who can do justice to these demands, it's Rahman.
> >  The hype around the music release of this album is one of the biggest I've
> > seen in a while…..touted as one of the finest films, most expensive films,
> > etc.
> >
> > Pudiya Manidha whisks us away to a land of robos and futuristic sci fi, and
> > man, does it ever leave a mark!  One of the sleekest masterpieces Rahman has
> > ever come out with in my opinion, this song oozes with etherealness, groove,
> > punch, mystery, intrigue, and trance.  This track takes me to another world
> > truly with Rahman's sweet touches….crystal, progressive synth sound effects,
> > warm ambiance, loopy synths, and the ever soothing and captivating string
> > arrangements.  Post Khatija Rahman's soulful singing and bleating goat
> > sounds, the song picks up speed with rhythms and SPB's spritely singing.
> > Notice how the strings mimic the synth loop melody, only adding depth and
> > character to an already richly bestowed track.  Based loosely on raaga
> > Bhimpalas, the song takes a soaring route during the heavenly string
> > interlude.  Beautiful choral additions are appreciated, adding a stark
> > spirituality and sonic texture along with SPB's split octave singing,
> > creating a very balanced and satisfying bass/treble aural experience on all
> > frequencies.  This track will likely go down as one of my favorites in ARR's
> > entire repertoire for the reasons outlined above and for reasons I just
> > can't put into words, but can only feel and experience.  For a techno/trance
> > number, it's very spiritual in feel!  A complete masterpiece from start to
> > finish, what a way to kick off!!!!
> >
> > A contrasting, more acoustic, upbeat and happier track follows as Shreya and
> > Vijay Prakash please us with lilting singing and joy in Kaadhal Annukal.
> > Rahman's use of rhythm acoustic guitar layered with the sweet accordion and
> > mouth organ/harmonica  is extremely appealing aurally with incredible
> > sweetness! Beautiful interludes highlight this earthy and charming song with
> > a Scottish/Irish style using piccolo and accordion in the first, and a very
> > unconventional, out of the box mysterious and ambient synth section in the
> > second, showcasing ARR's brilliant creativity and craft.  The second
> > interlude is truly outstanding as it gravitates away from the usual flowery
> > mood and organic sound and serves us something more electronic and spacey,
> > but never distracts the groove and momentum of the whole track!  I just love
> > how ARR uses the strings so tastefully and craftily throughout the song
> > creating a very lush aural landscape, esp. in the end when Shreya's counter
> > melodic line joins in.  A really sparkling track from start to finish for me
> > and this song just radiates freshness and innovativeness for an Indian film
> > song.  The melody itself is very sweet with many hooks, though
> > unconventional for an Indian duet film song and at times hard to remember,
> > but with repeated exposures, I can't get this song out of me!!  The whole
> > song is beautifully supported by a fresh, rhythmic groove that mostly
> > unwavers alongside haunting and unique chords and chord progressions.
> >
> > Following the very techno and synth heavy first track, how beautifully
> > contrasting we hear a very earthy and acoustic one in the second…..truly
> > showcasing ARR's versatility and genius in the first 2 tracks alone!!!
> >
> > The  third track, Irumbile Oru, is techno to the core, but sounding like an
> > ordinary remix to me!  Marked by some sexy grooves and female rapping along
> > with ARR's metallic tinged voice, this track has not yet impressed me much
> > musically.  Maybe if I understood the lyrics, I would appreciate it more,
> > but I did notice how the lyrics and words seem to flow quite well.  I don't
> > know why Rahman did not do more musically with this track, esp. using a kind
> > of outdated techno sound that has been used over and over!  As my friend put
> > it, "this track is a lost opportunity for Rahman" in terms of sound, but I
> > can see how the youngsters are enjoying it for its sheer rhythmic groove,
> > lyrics, word flow, and ARR's voice.  Nothing more to write here!
> >
> > ARR has a little fun in the next track, Chitti Dance Showcase, which begins
> > as a cheesy robotic voice…………………come on Rahman!  You can do better!  Why
> > choose a clichéd, stereotyped robotic sound that we've heard over and over?
> > Once again, Rahman using a very outdated sound!  I can understand Rahman's
> > attempt to be obvious and literal as he needs to cater to the masses, but
> > still….there is no elevation of taste using these outdated and hackneyed
> > robo sounds!  But, on the plus side, this track has its interesting and at
> > times brilliant moments, esp. with the beautiful and sweeping string and
> > choral interlude, but alas, only lasts about 10-15 seconds!  We hear all
> > sorts of genres here….symphony, heavy metal, Indian tarana, but with jarring
> > transitions.  Oh, and I also like that little whistling, jazzy insertion
> > that he put in there towards the end….showing the more humorous and playful
> > side to ARR!  Nice touch there!
> >
> > We switch gears to a much more heavy sounding number, Arima Arima, with
> > Hariharan and Sadhana Sargam, 2 singers we haven't heard in a long time in a
> > Rahman's song!  This track is full of valor and majesty, showcasing brass
> > and pomp with militarized drumming and a dose or distorted rock guitar to
> > add exclamation!  I love Rahman's use of the symphonic strings in this song
> > using them to accent rhythms and intertwining them delicately at times in
> > 16th note fashion creating a beautifully crafted and intricate rhythmic and
> > textured backdrop to Hariharan's and Sadhana Sargam's passionate singing.  I
> > love some of the operatic voices that are also used as transitional pieces.
> > I also loved that little 16th note synth insertion during one of the song's
> > transitions, adding energy to an already vibrant and punchy track!  Did you
> > notice how the trumpet interlude totally changes the mood of the song as we
> > go into major scale?  I love that part of the song!!!!  The singing is semi
> > classical at times, esp. during the antaras, which I really appreciate.  The
> > track both begins and ends with synth, creating an interesting contrast to
> > the much more acoustic and earthy majority of the song.
> >
> > We go light in mood again with an African twist!!!  Kilimanjaro is a real
> > treat with extremely catchy lyrics and spirited singing by Chinmayi and
> > Javed Ali!  What a track!  I love the mood of this whole song and the
> > beautifully authentic African vocal tribal interludes add only icing to the
> > cake!  I don't know how Rahman created such an authentically earthy sound to
> > the tribal choral parts!  This song is just brilliant and so crafty!  I love
> > how the crisp tablas are used at times and the naughty singing by Chinmayi,
> > who doesn't sound her usual self, but very convincing!  This raaga Malkauns
> > based track is punctuated by some very wholesome and crisp drumming,
> > catapulting this track forward with every step!  Check out the rhythmic
> > variations during many parts of the song with added maracas (or another
> > instrument) in double time, esp. during the second tribal part.  Let's not
> > forget the playful "click click" sound either, which is just perfectly
> > placed!   Rahman's versatility is simply mindblowing!!!!
> >
> > The final track begins with Yogi B's "Boom Boom Robo Da" bit which repeats
> > kind of annoyingly through the rest of the song.  I could have enjoyed this
> > song without that part, catchy as it is!!!  Brass hits and funky techno
> > beats characterize this very rhythmic, colorful and varied track with
> > multiple musical genres in jazz, latin, rap, heavy metal, hip hop, etc.  For
> > a change, it's nice to hear Yogi B, another rapper besides Blaaze, though no
> > hard feelings towards Blaaze!  The antaras are quite melodiously sung as the
> > singing takes on a more semi classical turn in raaga Abhogi and occasionally
> > Bhairavi.  I very much appreciate the second interlude Latin/Spanish
> > sounding section with the soothing female chorus and nice but brief acoustic
> > Spanish sounding guitar.  There are more acoustic elements to this song too
> > as what sounds like a bright santoor plays an old fashioned melody in the
> > beginning and acoustic guitar plucking briefly as the other musical flavors
> > melt away for a brief bit during some later transitions.  A patchwork track
> > of sorts, much like its predecessor in Chitti Showcase, it's quite
> > entertaining to the core with some splashes of sweet melody thrown in.
> > Rahman's talent as a musically genius craftsman really shines in this track.
> >
> > So, another milestone in ARR's career if you ask me with heavyweights
> > Pudhiya Manidha, Kadhal Anukkal, Arima, and Kilimanjaro totally carrying
> > this soundtrack on all four of their shoulders.  These 4 songs to me embody
> > some of Rahman's finest musical work to date in terms of composition,
> > innovation, sonic creativity, and mass and class appeal.  This album would
> > be worthy enough with only these 4 songs on the table.  The other 3 tracks
> > have bright moments contained within them, but seriously, the outdated and
> > cheesy and cliched robo/electro sounds of the 1980s are a big turn off for
> > me and I am quite disappointed by Rahman's choice here, also likely
> > influenced by Pravin Mani.  I really wish that similar sound templates of
> > the ambient textured, progressive and futuristic sounds of Pudhiya Manidha
> > would have been in more abundance in the rest of the songs, but perhaps
> > Shankar had a big say in this to cater to more of the masses and Rajinikant
> > fans and what fits in with the film…..I don't know.  As an album overall,
> > it's qualitatively very inconsistent to me and very gimmicky in parts, but
> > with 4 brilliant songs in the mix, I will surely be playing this very
> > entertaining CD as well as the Telugu and Hindi counterparts in heavy
> > rotation for a long, long time to come!
> >
> > Numeric Values:
> > 7/10 – Compared to other Rahman albums (mostly for the 4 amazing songs I
> > talked about above)
> > 9/10 – Compared to contemporary Indian film albums
> >
> > Copyright by iChord 2010. No part of this writeup may be reproduced without
> > the sole written consent of this writer.
> >
> >
> >
> 
> 
> -- 
> regards,
> Vithur
>




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