Skunk Wrote: 
> Mine is an integrated AB push/pull pentode, but I'm sure the above
> applies. It runs warm even at 10% volume.
The heat from the tubes is not relatied to the heat produced by running
in pure class A mode. Tubes are called thermionic devices because they
conduct or manipulate electrons when they are hot, so they all contain
a heating element, which is what glows red hot. The heat given by the
heating elements is the reason for the low efficiency of a tube AB1
amp. But a solid state pue class A amplifier has no tubes, and still
makes a lot of heat, due to the class A operating mode. Class AB uses
two devices or banks of devices either tube or transistor to amplify
the signal voltage from line level of 1-2Vrms to 20-30Vrms in order to
scale the signal to a degree that can power an electromechanical device
with a lot of force, like a speaker :) The way it does this in AB is one
device (tube or transistor) handles the signal when it is above 0 volts
and the other device handles the signal when it is below 0 volts. They
hand the signal back and forth for every cycle of the alternating
current signal. When the signal is positive, the device which handles
the negative side of the signal rests, consuming very low current, thus
making very little heat. When it is his turn, the other amplifying
device rests and cools. Even though the periods between working and
resting are very small, as small as 1/20,000th of a second for a 20kHz
signal, it still means the device is only working 1/2 of the time, so
only 1/2 of the heat must be dissipated from its outer case or bulb, so
it is more efficient and cooler running than class A

Class A amp uses a device or bank of devices, either tube or
transistor, which amplify your signal all the time, both when it is
input above and below 0 at the line level. How and why is for someone
else to explain, but since there is only one device handling the work,
any distortion introduced when handing the signal back and forth
between two devices is eliminated so the sound is noticeably better.
Due to the constant work, the heat builds up in Class A devices so they
run hotter. A Pentode running in AB will run cooler than if you switch
it to triode, even though the volume level will sound lower. 

Many people like triode sound better, but not me, I always opt for
pentode AB in my Cary SLI-80. I just can't give up the treble accuracy
and bass power that I lose in triode.




Skunk Wrote: 
> My impression from this thread was to set volume on the SB3 to 40 to
> disable all volume control algorithms. I would much rather use the SB
> digital volume control if there is no manipulation of the signal, but i
> assume the added bits for the volume algorithm are considered 'bad'.
> Sorry for being dense, but was the verdict that for FLAC, LESS than
> 100% volume(40) is better or worse? Would you always want 'more bits',
> or would it depend on your DAC? Again, apologies. This is probably
> covered elsewhere.

Playing 16 bit files from your network you will not be able to hear any
loss of fidelity by using the volume control. It has been debugged and
perfected by engineers at slim and forum geniuses who found the problem
and suggested how to fix. There was a problem that effected sound
quality, now there isn't for any mortal set of ears. Any digital
distortion induced by converting 16bit music stream to 24 bit for the
purpose of controlling volume level is still within the noise floor of
16 bit resolution, meaning at least 96 decibles softer than the music
that is playing (that's a hell of a lot). Your listening room has
likely never been quieter than 30dBA, meaning that you could never hear
the distortion outside of lab conditions, and then the limits of human
hearing would challenge your ability to hear it. 20dBA is considered
dead silent by most people, but you need to be able to hear something
many times quieter than that, all while your favorite music, (playing
at 96dB+, ouch!) is distracting you from such nonsense. 



Skunk Wrote: 
> I'm not sure if this means the digital volume is better than the analog.
> Does the SB volume go from being active to passive when less than 40? 
> 
> I understood your point that an A/B amp is in class A at 100% volume
> with low signal input. However, I also don't want to crank the Alps
> Blue pot to 100% (if that is the same as "connecting  directly to a
> power amp") because of potential speaker damage.

Passive volume control would be a separate component that you connect
with interconnects between source and amp, it uses no electricity of it
own, does not amplify the signal and thus only attenuates. It has
nothing to do with the SB unit itself. Usually it is just a pot in a
box with some source switching to be fancy. Most pre-amps use external
power to amplify the incoming signal by 6-12dB. The SB volume control
modifies the 16 bit digital stream coming from slimserver with an 8 bit
coefficient containing volume control setting, to make data going into
the SB DAC a 24 bit sample with volume information embedded which DAC
understands. It is pure digital, and the analog of the original 16 bit
music word is produced by DAC without losing anything to the signal
purity. At very low volume settings there is some slight degradation,
but at SB volume control levels above -35dB (#12 or #16?), the loss is
inaudible.

Connecting direct to your power amp would only apply if you were going
to use the SB digital volume control. Then your external pre-amp or
ext. passive volume control would not be necessary because the analog
output signal voltage would be "attenuated" digitally by the SB DAC
itself. This is the optimum way to use SB, because then you eliminate
the cables and distortion inherent with passive VC or preamp and
interconnect cables. 

I hope you are not offended if I reiterated something you already know.
It can be hard to learn some of these concepts, so sometimes simple is
better. The subtleties make it a fun hobby, always more to learn!
Rich


-- 
richidoo
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