Nope, no switches.

I'm now really confused. I think the 4B might be too powerful for the
OB1s, in that the OB1s appear to distort if I play a loud track at full
volume.... the Bryston red clipping leds do not come on so I presume it
is not the Bryston amp clipping.
If this is the case, the OB1s are being driven beyond their full
potential by the 4B and the Transporter combo I guess.
I've just looked at the Bryston spec for unbalanced/balanced.

It looks like you get 6db more welly by using the balanced outs.
However the inputs figures look like this is negated... but I have to
say I am getting very lost here.

>From the 4B ST spec sheet:

Gain: 
# 29dB (unbalanced)
# 23dB (balanced)

Input sensitivity (balanced):
# 2 Volts in = 100 watts at 8 ohms
# 3.0 Volts in = 250 watts into 8 ohms
# 5.6 Volts in = 800W into 8 ohms Bridged

Input sensitivity (unbalanced):
# 1 Volt in = 100 Watts at 8 ohms
# 1.5 Volts in = 250 watts into 8 ohms
# 2.8 Volts in = 800W into 8 Ohms Bridged

Input Impedance
# 50 Kohms unbalanced
# 20 Kohms balanced

Power Output:
# 250 watts per channel into 8 ohms
# 400 watts per channel into 4 ohms
# 800 watts, bridged into 8 ohms

The OB1 spec says:

Impedance
# 6 ohms nominal

Recommended Amp power
# Up to 300W

It's just struck me that I'm talking mainly about the bass distorting.
Maybe that's the key.
-----------------------------------------------------------

Nuhi

So far, the Bryston compared to the Naim.... it's really a bit too
early to be certain and I'll need to add some caveats:

My room is bad... large rectangular with speakers at one end. hard wood
parque flooring. Not too many soft furnishings.

The NAIM amp was not powerful enough to drive the OB1s and clipped
before the OB1s had really kicked in.

But....

The Bryston imaging/sounstage is much more defined.

The sound is more anodyne. It' more exact but has less excitement than
the NAIM. It's not as in-yer-face. The Naim amp seemed to project the
music out of the speakers into the room more. It was more vivid.

Voices (Choral.. Arvo Part stuff, or Jan Garbarek and the Hilliard
ensemble), well recorded classsical.. come across really well. However,
the background sound of the recording equipment is much more noticeable
than ever before. This is odd and I find it extremely annoying.

The sound is all very clean generally.

Although the Transporter is by far the best of all the network
player/Dac combos I've tried so far (amounts to only four) it is still
thinner, has less weight and is less punchy than my Naim CDX. I think
the OB1s and my damn room sort of exaggerate this and I am left with a
sound that is thinner than I want and seems to lack mid bass and enoigh
punch/welly. Saying that, the Bryston gives me more punch with the OB1s
than the Naim did. But this does not come close the the punch and welly
provided by the CDX/Naim amp/Shahinian Arc combo.

I've done virtually all my playing around at volume. When I've turned
the volume down to background listening levels the sound has become
flat, dull, thin, colourless, uninteresting and a waste of time. The
Arcs/Naim set up sounded infinitely more likeable and listenable at low
volumes.

My main love is a certain type of electronic music which really needs a
much more prominent mid bass than I've got at the moment.... currently
the very low bass comes through really nicely though.

I'm looking forward to trying the Naim pre-amp on the Bryston/OB1 set
up.. and especially to adding the CDX to this.

Last caveat: further listening could entirely alter the opinion above.

MC


-- 
ModelCitizen

It is far better to grasp the Universe as it really is than to persist
in delusion, however satisfying and reassuring.

Transporter > Bryston 4B ST > PMC OB1s.....  or not
SB3 > NAIM NAC 102 > NAIM NAP 180 > Shahinian Arcs
http://www.last.fm/user/ModelCitizen
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View this thread: http://forums.slimdevices.com/showthread.php?t=34650

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