The problem lays in common misbelief that the best thing for audio is
zero-distorted signal. This is correct for mastering, but clearly
contradicts psychoacoustics when taken in context of end-user
listening, aimed for enjoyment rather then evaluation. There are
certain types of distortion that must be there for music to be
listenable and enjoyable. They are not well researched though, but many
audio gear makers achieve that in purely empirical ways. 

So many audiophiles suffer from trying to achieve two contradictive and
somewhat elusive goals: to have reproduction as close to the original as
possible in a way of using least-distorting gear, and at the same time
to have enjoyable sound. It will be a problem for as long as there's no
scientific clarification on the positive impact of certain types of
distortion on listening experience.


-- 
325xi

sb3 || simaudio nova cdp >> simaudio moon i-5 >> revel performa m20 on
*skylan* stands via acoustic zen matrix reference ii and acoustic zen
satori

sb3 >> audioengine 5
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