Pat Farrell wrote:
> pski wrote:
>>> Too many choices...I'm bewildered at the moment...
>> I duck after recommending "BAND" equipment. Not only do the traditional
>> makers (like Crown, etc.) have huge, responsive power supplies, they
>> have headroom, rise-time, and output that shames most "home" amps.
>> Additionally, they've been using XLR and signal-through features for
>> years...
> 
> I've always wondered why the "audiophile" folks don't pay any attention 
> to the pro-audio world. Like pski says, Crown and others make bullet 
> proof gear with XLR, head room and the ability to handle some dumb 
> roadie shorting the outputs for a second.
> 
> Most boutique audiophile gear would just go up in smoke.
> 
> But, there is band gear and then there is band gear. A lot of the stuff 
> sold at Guitar Center and Musicians Friend at really unbelievable prices 
> is not aimed at pros, its aimed at wanna-bees with no money.
> 
> One warning, a lot of gear aimed at touring pros is the audio equivalent 
> to the Viking restaurant stoves that yuppies put in their houses...
> not really designed for residential use. They tend to be big, heavy, 
> draw a lot of power, give off heat, etc.
> 
> No more so than the audiophile big tube or monster mono-blocks, but they 
> are not going to be happy stuck in a closed cabinet.

I'm sure *some* pro-audio gear is superb, but some of it is designed to 
be bullet-proof, rather than entirely accurate. Some of it has stuff 
like cooling fans built-in; that's OK in a bank of amps powering one 
side of a large gig, but not so good for home audio.

R.

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