Apesbrain wrote: 
> I understand your argument but the author's explanation is that MQA --
> being a "process" encompassing the entire recording/playback chain --
> removes the distortions (frequency and temporal) to which we've long
> become accustomed in non-MQA source material.  (Compare to the Plangent
> processing applied to master tape sources on some recent digital
> remasters.)  Again, I believe it makes sense to withhold judgement
> pending personal experience with the format.

Temporal blurring, as the MQA folks quaintly call some nonsense that
they made up, is, for lack of a better term, completely made up
nonsense. Maybe MQA might improve the sound an original recording made
using a MQA enable recording chain but on existing recordings MQA is no
more than some fancy equalization, unless of course, MQA is so amazing
that it even manages to rewrite the laws of electricity.

Audiophiles really need to get an understanding of the basic laws of
electricity that apply to ALL electronically reproduced audio. (Hint:
don't expect to find any useful information in any high end audio
publication.) For example: once the electrical signal leaves the
microphone it is no longer an audio signal but simply an electrical
signal and as such it is subject to the exact same laws and behaves in
the exact same way as any other electrical signal.



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