Very much too late, I'm afraid :) On 13/06/07, Christopher Woods <[EMAIL PROTECTED]> wrote:
Too late. :D ------------------------------ *From:* Jeremy Stone [mailto:[EMAIL PROTECTED] *Sent:* 13 June 2007 12:19 *To:* backstage@lists.bbc.co.uk; backstage@lists.bbc.co.uk; backstage@lists.bbc.co.uk *Subject:* RE: [backstage] www.FreeTheBBC.info And whilst i'm at it. Martin Belam has also analysed the freebbc petition on currybet. http://www.currybet.net/cbet_blog/2007/06/free_the_bbc_drm_debate.php Hang on a minute. Didn't i make a plea yesterday not to resurrect this tired old debate. Sorry. Jem -----Original Message----- From: [EMAIL PROTECTED] on behalf of Jeremy Stone Sent: Wed 6/13/2007 11:53 AM To: backstage@lists.bbc.co.uk; backstage@lists.bbc.co.uk Subject: RE: [backstage] www.FreeTheBBC.info Ian Betteridge has critiqued the 5 claims made by http://www.freethebbc.info/ at http://www.technovia.co.uk/?p=1180 He concludes his post with "I'm against DRM - I'm an associate member of the Free Software Foundation, avoid closed formats, and contribute every month to the Open Rights Group. I think that DRM is a bad idea, both for our culture as a whole and content creators in general. But making bogus arguments to an organisation which is in no position to offer most of what people think of as "its" content is simply a waste of effort." Jem -----Original Message----- From: [EMAIL PROTECTED] on behalf of Kim Plowright Sent: Wed 6/13/2007 11:00 AM To: backstage@lists.bbc.co.uk Subject: Re: [backstage] www.FreeTheBBC.info Also Walter Benjamin's 'The Work of Art in the Age of Mechanical Reproduction' http://en.wikipedia.org/wiki/The_Work_of_Art_in_the_Age_of_Mechanical_Reproduction http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm "An analysis of art in the age of mechanical reproduction must do justice to these relationships, for they lead us to an all-important insight: for the first time in world history, mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. From a photographic negative, for example, one can make any number of prints; to ask for the "authentic" print makes no sense. But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on ritual, it begins to be based on another practice - politics." Written, incidentally, in 1936. Pwnd. > Required reading: > > Free Culture: The Nature and Future of Creativity by Lawrence Lessig > ISBN 0143034650 > > The Future of Ideas by Lawrence Lessig > ISBN 0375726446 - Sent via the backstage.bbc.co.uk discussion group. To unsubscribe, please visit http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html. Unofficial list archive: http://www.mail-archive.com/backstage@lists.bbc.co.uk/
