Hello Arthur, most of the Smith-Crawford numbers (S-C) can be seen on http://www.slweiss.com in the catalogue raissonne of Peter van Dessel. But the list is not complete, and unfortunately I don't have a complete list also.
Best Markus On Sun, 14 May 2006 09:27:31 -0400, "Arthur Ness" <[EMAIL PROTECTED]> wrote: > > Ralf wrote to me privately that the attribution is to "Christ," with no > initial. Nelson Amos attributes the suite (No. 39) to a Johann Christ who was > a sackbut player. He seems hardly a candidate for writing lute music. So > until a better identification appears, I'd leave him as just "Christ." > > Amos's book on German lutenists should be read with great caution. He too > got pulled in by the Ungay Bergier attribution. > > "Weiss a Rome" is now in the BN. Call no.: Re/s Ms. Vba 1213. tc sent me > the information. > > Is there any place on the InterNet where I can find the Smith/Crawford Weiss > numbers? Will you havethem on your web site? > > Arthur. > ----- Original Message ----- > From: Markus Lutz > To: baroque-lute > Sent: Wednesday, August 31, 2005 5:09 AM > Subject: [BAROQUE-LUTE] Re: Philippo Martino and the Salzburger Laute > > > Hola Ralf, > yesterday I succeeded in looking up the interesting finding you have made. > Indeed two of the movements of Sonata 39 are concordant to Martino pieces: > Entree = Martino Sonata IV/1 (Capricio) > Ballo = Martino Sonata II/2 (Ballo) > > For the other movements I didn't find a concordance in Martino at least. > > If one compares the tablature the Salzburg versions are different in some > details: > It is for an 11-course lute, whereas the printed versions are for 13-course > lute. > There are some rests in the Salzburg versions that are filled with some > accompanying chords in the print. > And there are some more bass notes in the Salzburg version. > > Although the last difference could point into the other direction I suppose > that the Salzburg versions are earlier and the printed versions are > overworked ones. > > As the two movements appear in different sonatas, they could be by Martino > or they could be not by him. > He wouldn't have been the first who included foreign works into his own: > One Courante by Weiss in d-minor exists in two versions for flute > transposed one tone higher. > The first one is in a collection by Quantz, the other one appears in a > print of a work by a composer named Braun. > > Best > Markus > > > On Mon, 22 Aug 2005 07:18:59 -0700 (PDT), Ralf Bachmann wrote: > > RB> Hola amigos, > RB> > RB> It has been quiet in this list for some weeks now, but > RB> I am sure the enthusiasm is still out there =E0 > RB> > RB> As to me, I have been working sporadically (when my > RB> job and family are not in the way, grrr =E0) on the > RB> Philippo Martino Trios (see below) and found out > RB> something interesting about this music in the so > RB> called Salzburg Lautencodex MIII-25, more precisely in > RB> the Sonata 39 in B-major, which has no title on the > RB> score but is described in the Index as > RB> =F4XXXIX Liuto Violino Basso > RB> Authore Christ: =F4 > RB> > RB> This sonata consists of 4 movements named > RB> Entree (B-major), Ballo (g-minor), Cicill. (B-major) > RB> and Menuet (B-major) > RB> > RB> When I first played this pieces, I immediately > RB> recognized them to be works by Philippo Martino! > RB> (To be fair, since this Salzburg source consists > RB> mostly of chamber music, of which only the lute parts > RB> have survived, [apart from some interesting music by > RB> Weiss and Lauffensteiner that is real solo music with > RB> some added parts] this is something only for extreme > RB> enthusiasts ,-) > RB> > > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > -- -- Markus Lutz Schulstr. 11 D-88422 Bad Buchau Tel: 0 75 82 / 92 62 89 Fax: 0 75 82 / 92 62 90 Mail: [EMAIL PROTECTED]
