Could the popularity have something to do with dancing with multiple
neighbors and coming back to your original neighbor?


On Thu, Jun 20, 2013 at 10:19 PM, Mac Mckeever <mac...@ymail.com> wrote:

> My theory is that 3-33-33, much like Beneficial Tradition, besides being
> wonderfully arranged, contains a unique and popular figure that has become
> associated with that dance and is not found in many other dances.
>
> Susan's dance is also a masterpiece of choreography - but does not contain
> a signature figure.  That doesn't stop it from being one of my favorites -
> but does keep it from standing out over time.
>
> A few times I have called an evening with no planned program and allowed
> the dancer to request dances.  Beneficial is by far the most requested.
> That doesn't make it the best dance - but it is one of the most memorable.
>
> Mac
>
>
>
> ________________________________
>  From: Michael Fuerst <mjerryfue...@yahoo.com>
> To: Caller's discussion list <call...@sharedweight.net>
> Sent: Thursday, June 20, 2013 9:07 PM
> Subject: [Callers] 3,33-33
>
>
> Although I consider 3,33-33 an excellent dance, so  many have designated
>  3,33-33 as awesome that it, like the word awesome, has become overused.
>
> Some years ago (I speculate 20 or so)  Susan Kevra wrote this wonderful
> dance Trip to Phan Reel   (
> http://www.prismnet.com/contradance/sequences/trip-to-phan-reel.html)
> For a year or so one could hardly attend a dance weekend without dancing
> Trip to Phan Reel.    Then it slowly subsided to very  occasional use.
>
> Does anyone have any ideas why  the calling of 3-33-33 (of the same
> vintage, as suggested by
> http://www.cambridgefolk.org.uk/contra/dances/steve_zakon/three_33_33.html),
>  has not similarly subsided ?
>
> Michael Fuerst      802 N Broadway      Urbana IL 61801       217-239-5844
> Links to photos of many of my drawings and paintings are at
> www.ArtComesFuerst.com
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