I'm pretty sure contra is more popular than ECD everywhere, and most ECD groups 
call to gents and ladies as well as corners, partners, neighbors, so I doubt 
this is the issue.  That the music often sounds classical rather than modern is 
one issue, that you only flirt with eyes and fingertips is another.  It's more 
cerebral, less athletic.  It's a different high, which aligns less well with 
tastes of our age than contra.  You are the first person I have heard say that 
they dislike ECD because discreet roles are less necessary.  
I don't think every contra series is going to suddenly go gender free, far from 
it, but even if they did, the things people like about contra would still be 
there: the zestiness, the music, the swings, the predictable format, the 
flirting, the sweat, the patterns we love, the stomping, the gliding.  
Atlanta has a dance weekend every November, and each year there is a different 
theme.  On Saturday night there is a concert, a skit, then the dance.  For 
several years, I led the skit creation.  As it happens, yesterday my daughter 
handed me a binder which contained the lyrics for our West Side Contra skit of 
several years ago. I don't currently have a link to Dave Pokorney's video, or 
I'd include it.  You might be wondering why I bring it up.  In the skit, 
instead of Jets and Sharks, we had the Trads and the Mods.  Each hated the 
other's influence on the contra scene, the Trads decrying the twirls and dips, 
sleaze and bad timing, taste for pop tunes and jazz riffs, the claps on 
petronellas, while the Mods bristled at the use of old time, the straight 
dancing, the rigid adherence to old standards and ideals.  After some build up, 
they meet at a dance, and during the contra, fighting breaks out and many are 
left prostrate including Tony.  In the end they all recover and agree that all 
the things they love about dancing are more important than the differences, 
ultimately they all just want to dance.  I was poking fun, but also serious 
that we all tend to get really wound up, especially when things we love undergo 
change.  But the truth is, we can all adapt, and continue enjoy that which we 
love.  Some groups are going to embrace gender free, some may even go for 
positional calling.  I hope that dancers can continue enjoying everything they 
have always loved about dance, whatever their community chooses.  I'm asking us 
to look at positional calling in light of all the positive things it can do, 
and seeing how we might make it work so we lose as little as possible of what 
we care most about.  Every community and every caller will have to decide what 
they are up for.  Our job here is to sincerely attempt to determine if it can 
work, which can only be accomplished if we set aside our emotional reactions, 
our fear and distaste, and work at it like a crossword puzzle, with detached 
intelligent attention.  Raising questions is important; let's please continue 
that, as it gets us analyzing the possibility realistically.  Those not 
interested in the enterprise are free to ignore.
Cheers,
Andrea

Sent from my iOnlypretendtomultitask

>> On Jun 3, 2015, at 12:02 PM, Aahz Maruch via Callers 
>> <callers@lists.sharedweight.net> wrote:
>> 
>> On Tue, Jun 02, 2015, Andrea Nettleton via Callers wrote:
>> 
>> English callers and dancers clearly have no trouble saying or
>> understanding these terms.  If they were that awkward, they would long
>> since have been replaced.  I think we see positions as roles purely
>> from habit.  If I taught a roomful of kids who had never danced using
>> no roles, would they think of having danced a role?
> 
> Possibly you're seeing selection bias in English.  At least in the SF Bay
> Area, contra is more popular than English, and I wonder how much of that
> difference is due to this issue.  (This discussion is making clear that
> a significant chunk of my ECD dislike is due to this issue.)
> -- 
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