I’ve yet to personally encounter a request for terminology usage with which I 
can’t comfortably work.  If an organizer(s) wants me to use “jets” and 
“rubies”, I’ll do it.  

Absent such a request, I usually state that my own use of the terms “gent” and 
“lady” has to do with choreography, not biology, and anyone can dance either 
role.  I often say, “In your partnership, whoever wants to dance the lady’s 
(gent’s) role stand on the right (left)”, and, in walk-throughs, “whoever’s 
being the lady (gent) ______ (chain; allemande left; pass right shoulders; 
dos-a-dos; etc., etc.)”.

Experienced dancers often contradict this advisory when they insist that a 
couple who haven’t crossed while waiting out at the end do so.  In most 
instances, I believe the intent to be helpful, rather than homophobic.  

At family dances, when setting up a basic longways dance, I’ve long referred to 
one line as the “wolves” and the other as the "bears”.  The animated howling 
and growling which usually ensue feel compatible with a light-hearted party 
atmosphere free of restrictive expectations and prejudices.  I often wind up 
using the terms throughout the event. 
  
I like “global terminology” a lot and use it whenever practicable during a 
“regular” contra dance evening.  However, I do find locally accepted and 
familiar role identifiers to be greatly helpful to the teaching/learning 
process in some circumstances.  

I think a lot about the belief that replacing the “gent” and “lady” everywhere 
would result in more people contra dancing.  I suppose we’ll never know unless 
we try.  I’m not sure why I’m not yet sure I want to.

David Kaynor


 
> On Feb 13, 2017, at 10:30 AM, Aahz via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
> On Mon, Feb 13, 2017, Read Weaver via Callers wrote:
>> 
>> As far as I know, all of the ongoing gender-free English country
>> dances use a different system, "global terminology." It's based on
>> current position rather than role, and so doesn't have to use a
>> substitute for gents/ladies. There are a small number of dances for
>> which it's awkward, though I've had callers present me with something
>> they couldn't figure out the global terminology for and I've usually
>> been able to, usually resulting in easier teaching and calling than
>> the gendered version. There was one ongoing contra dance decades ago
>> that used a similar system.
> 
> You have any examples?  Both the original and the converted version?
> -- 
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