Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. RE: Adhesive for ethafoam? 2. RE: Chinese silk scroll 3. RE: Inquiry on Training Courses for Anatomical Identification of Wood in Artworks 4. Job Postng - Conservator for Paper and Photographs at the Chicago History Museum ------------------------------------------------------------------------------------------------------------ 1.From: Ariane Segelstein Posted: Thursday May 28, 2026 10:49 AM Subject: RE: Adhesive for ethafoam? Message: Dear Tara, According the affordable Tg in your context, you could use a double side tape made of acrylic glue on polyester support, typically 3M415, Am not updated on these products but you can also have a look on Filmoplasts. Though, my favourite way would be a mecanical one using for example polyolefin rivet if the foam is not too thick, hope it's helpful. Warm regards, Ariane ------------------------------ Ariane Segelstein Senior Conservator Heritage Conservation Centre Singapore ------------------------------ ------------------------------------------- Original Message: Sent: 05-26-2026 10:56 From: Tara Kennedy Subject: Adhesive for ethafoam? Dear Colleagues- What are conservators using nowadays to adhere ethafoam to corrugate board that is safe for permanent storage? All of the hot low temp melt adhesives do not pass Oddy and I am looking for something that can be used outside of a lab setting easily. I can use PVA if I need to, but was hoping for other solutions. Thanks so much for your suggestions and recommendations in advance, Tara ------------------------------ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Tara D. Kennedy Head, Preventive Conservation Yale Center for Library Preservation and Conservation New Haven, CT National Heritage Responder (NHR) Co-Chair of the NHR Working Group Health and Safety Network Member ------------------------------ 2.From: George Schwartz Posted: Thursday May 28, 2026 10:50 AM Subject: RE: Chinese silk scroll Message: Dear Thor, Though not a Chinese specialty house, I recommend exploring Usami Shūtokudō in Kyoto is, in my view, the correct professional decision for an antique scroll like the one you mentioned. Best wishes, George ------------------------------ George Schwartz Principal, Senior Conservator ConservArt, Inc. Boca Raton FL [email protected] Chair CIPP 2011-2013 Conservators in Private Practice ------------------------------ ------------------------------------------- Original Message: Sent: 05-27-2026 14:14 From: D. Thor Minnick Subject: Chinese silk scroll Dear Ingrid, Thank you very much for the suggestion. Second time mentioned. Will look into this further. Sincerely Thor ------------------------------ D. Thor Minnick Conservator Minnick Associates Honolulu United States ------------------------------ Original Message: Sent: 05-26-2026 10:23 From: Ingrid Neuman Subject: Chinese silk scroll Hi Thor, Although not specifically residing in the Bay Area, I would highly recommend the very experienced and accomplished Tanya Uyeda Senior Paper Conservator at the Asian Art Museum in Seattle. Ingrid Neuman ------------------------------ Ingrid Neuman Senior Conservator RISD Museum Providence RI (617) 947-2189 Original Message: Sent: 05-25-2026 14:23 From: D. Thor Minnick Subject: Chinese silk scroll Aloha to all, I am seeking someone in the San Francisco Bay area to examine and treat a several hundred years old Chinese silk scroll for a client. It is an edict from the Emperor of China to his wife's family. It has some serious water damage staining on a portion of the scroll, but other parts are undamaged. The scroll is about 12 feet long. I have been forwarded several photos that show the staining/damage. Any suggestions for a Bay area person would be appreciated? Thank you and Aloha from the Islands Sincerely, Thor Minnick ___________________ D. Thor Minnick 913 Waimanu Street Honolulu, HI 96814-3317 808 597 8142 http://www.minnickassociates.com <http://www.minnickassociates.com/> 3.From: Graham Marley Posted: Thursday May 28, 2026 7:35 PM Subject: RE: Inquiry on Training Courses for Anatomical Identification of Wood in Artworks Message: Dear Catarina Kew Gardens run courses on wood identification - https://www.kew.org/science/training-and-education/continuing-professional-development/wood-identification They have one of the largest collections of timber samples to work with. With regards Graham Marley ACR ------------------------------ Graham Marley Furniture Conservator Freelance/Private Practice/Self-employed/Independent Chichester United Kingdom ------------------------------ ------------------------------------------- Original Message: Sent: 05-27-2026 08:56 From: Ana Pinheiro Subject: Inquiry on Training Courses for Anatomical Identification of Wood in Artworks Dear colleagues, I would like to inquire whether anyone is aware of existing training opportunities-courses, workshops, or short-term programs-focused on the anatomical identification of wood species, specifically in the context of artworks and cultural heritage objects. I am particularly interested in hands-on or practice-oriented training that addresses identification methods relevant to conservation and technical art history (e.g., macroscopic and microscopic features, sampling strategies, and diagnostic criteria for commonly used species in art objects). If you know of any institutions, universities, or organizations that offer such courses (preferably in-person), I would be very grateful if you could share with me. Thank you in advance for your time and assistance. Best regards, Catarina Pinheiro Técnica Superior, Biologia, Laboratório Analítico | Laboratório José de Figueiredo Rua das Janelas Verdes (s/ nº frente ao nº96) | 1249-018 Lisboa | Portugal | (+351) 213 934 200 4.From: Holly Lundberg Posted: Thursday May 28, 2026 7:37 PM Subject: Job Postng - Conservator for Paper and Photographs at the Chicago History Museum Message: The Chicago History Museum seeks qualified applicants for the position of Conservator of Paper and Photographs. The Conservator of Paper and Photographs is responsible for the preservation and conservation of paper and photographic materials within the museum's collections and on loan, This is a full-time, permanent position. Conservator for Paper and Photographs POSITION STATUS: Full time, permanent, 35 hours or more per week, Monday – Friday (occasional evenings and weekends as needed) DEPARTMENT: Collections SALARY RANGE: $60,000.00 - $70,000.00 Annually JOB SUMMARY: The Paper and Photograph Conservator ensures the care and preservation of the Museum's collections and loan materials. The Paper and Photograph Conservator undertakes diagnostic examination, assessment, strategic conservation planning, treatment, mounting, and other requisite hands-on practical, documentation and preventive conservation work for a variety of paper-based and photographic materials including maps, documents, architectural records, prints, art on paper, manuscripts, books, library materials, photographic prints, film-based negatives and cased objects. The Paper and Photograph Conservator also educates and provides advice and technical assistance to the staff and the general public on the preservation, storage, display and handling of historical artifacts and provides staff training and guidance regarding personal and environmental safety in regard to the storage and handling of collection materials. ESSENTIAL FUNCTIONS: Responsible for the examination, treatment, documentation, and preventive care of objects, including: o diagnostic examination and assessment of objects o treatment to clean, stabilize, repair, or otherwise preserve and conserve objects o full written and photographic documentation (traditional and electronic formats) to record condition, previous repairs or restorations, treatment needs, treatment work, and guidelines for handling, display, storage and loan o editing, labeling, and archiving of digital documentary photographs o development of preventive care strategies, including oversight and/or fabrication of mounts, supports, or housings for storage, display, or photography Provide guidance and assist with environmental monitoring, collection surveys, packing objects for storage and/or transport, preparing objects for exhibit and loan including mounting and installation/deinstallation of objects Provide guidance on best practices, materials and methods for mounting, framing, packing, display and storage of paper and photograph materials, and oversee and/or undertake work to mount, frame, pack, house materials as needed Assist or lead development of comprehensive strategies to address short-term and long-range preservation needs in collaboration with CHM staff and outside consultants Assist or lead implementation of preservation initiatives in collaboration with CHM staff and outside consultants, including project planning, grant writing, and progress reports Develop and implement exhibition conservation guidelines and activities in collaboration with CHM staff, outside contractors and exhibition teams, including serving on exhibition planning teams to provide conservation input on display materials, mounting techniques, environmental parameters, and installation of artifacts Participate in institutional and departmental policy, procedural and strategic development governing the use of the collections, including departmental goals, objectives, and budget planning Advise and oversee (as necessary) CHM staff, interns, volunteers and outside contractors on preservation and conservation issues including environmental conditions, packing, display, storage, and handling specifications for new acquisitions, collection materials, and incoming and outgoing loans Perform research and technical examination and analysis as needed to identify materials and construction techniques, and assess materials and for use in storage, exhibition, and treatment As needed, provide professional consultation to external organizations and the public on conservation and preservation issues Maintain the conservation laboratory as a safe, secure and efficient workspace, including general cleaning and upkeep, procurement and inventory of equipment, supplies and materials, management of conservation records, and adherence to appropriate regulations and practices for safe storage, handling and use of conservation materials and supplies (including hazardous materials) Collaborate with Properties, Security, and other Collections staff to maintain disaster preparedness; in the event of an emergency, serve as a key member of the Collection Emergency Response Team and participate as needed in any resulting collections recovery efforts Recruit, train, and supervise conservation interns, volunteers, and temporary staff Conduct training sessions in handling and collections care for new staff, interns, and volunteers Coordinate and oversee contract conservation services OTHER DUTIES: Serve as member (or Chair) of Institutional Committees, as appropriate Host lab tours, workshops and presentations to CHM staff, outside professionals, and members of the public Serve as conservation liaison to regional museums and the public, providing consultations, referrals, lectures, and tours Represent CHM at local, national, and international forums Other duties as assigned QUALIFICATIONS: Advanced degree from an accredited conservation program; significant professional experience may be considered in lieu of an advanced degree Minimum of three years of post-graduate experience assessing and treating paper-based archival and photographic materials; experience in a museum environment preferred Knowledge of professional conservation and museum standards and best practices Experience in conservation for exhibition design and preparation of objects for exhibition Experience with relevant technologies; experience with collections management software preferred Experience working both independently and collaboratively to meet departmental and team goals Strong project management skills, including ability to plan, prioritize and execute work in a deadline-driven environment Excellent organizational skills with the ability to multitask and manage competing priorities efficiently Ability to lift, carry or otherwise move and position objects weighing up to 30 pounds Ability to ascend and descend ladders and lifts Experience supervising volunteers, interns, contractors and/or staff Ability to work under pressure and adapt to changing priorities Excellent verbal and written communication skills Superior visual acuity, fine motor skills, and attention to detail Ability to deal diplomatically and effectively with a wide range of constituents Willingness to work occasional evenings and/or weekends Commitment to the mission, values, and programs of the Chicago History Museum APPLICATION PROCEDURES: The museum is accepting online applications for this position. Interested individuals can see the full job description and posting on the museum website, apply by submitting the following as a single document using the link provided: - Cover letter stating your interest and intent in applying for the position - Resume or curriculum vitae (CV) - Full name and contact information (including phone number and email address) for three references https://www.chicagohistory.org/join-our-team/careers/ <https://www.chicagohistory.org/join-our-team/careers/> ------------------------------ Holly Lundberg Senior Conservator Chicago History Museum Chicago United States ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. 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