Maia McCormick said:

On Sat, Mar 18, 2023 at 12:21 PM Maia McCormick via Contra Callers <
contracallers@lists.sharedweight.net> wrote:

> After dancing to some of Lisa's Greenleaf's 🔥 squares at Beantown Stomp
> last weekend, I'm feeling inspired to add some to my repertoire. (To be
> clear, I'm looking for squares-for-contra-dancers, not MWSD squares.)
>
>    1. Any resources to recommend for someone learning to call squares?
>
> You've received many excellent recommendations. Add to them Tony Parkes'
dance collection books --- Shadrack's Delight and (I think) Son of
Shadrack. They include squares that are highly contra dancer accessible.
And since Tony can't toot his own horn, *do get his book on square calling
and do attend* any dances he calls if possible. He danced on Long Island
to  Ed Durlacher's calls --- author of *Honor Your Partner
<https://www.abebooks.com/HONOR-PARTNER-Durlacher-Bonanza-Books-New/22592205866/bd>*
and one of the leading lights of the huge post WWII square dance explosion.
This was a pre-television era when square dances were staged in Central
Park and thousands of people participated. He's your finest living link
in this great tradition. (Pete met Toshi Seeger at the square dance in NYC).

Ted Sannella, in addition to starting the Ralph Page Legacy weekend,
included the idea of publishing a syllabus with all the dances included.
These syllabi, maintained over the years by David Smukler, are an
extraordinary resource and include lots and lots of great square dance
material/info. All are available online via the University of New Hampshire
Library. (google search will find them)

Organize Dare to be Square: NYC and build your own caller education track
into it.


>
>    1. Any advice to share, techniques to look into, things you wish you'd
>    known when starting out / wish contra callers knew about squares?
>
> "Laugh when you make a mistake," John Krumm circa 1995. Have fun and share
your joy with your dancers. If anything goes wrong, roll it in a tight
little ball and tuck it away in a pocket somewhere to think about later.
Emotions are contagious. You want to spread happiness.

When you call squares, you're part of the band. This is super true with
singers, but also when calling any square. You're the lead instrument. Your
sound people should know to dial back the band and keep you in front in the
mix.

No cards, phones, tablets, or other distractions allowed while you're
calling a square. Know your material cold. Keep your attention reserved for
your dancers and your musicians.

When calling for contra dancers, call to the music--not the dancers. If a
square falls apart, don't watch it -- you can't fix it on the fly. If
things go crazy all over the floor, laugh, square 'em up, and start up
again.

>
>    1. Suggestions for callers to look up on YouTube (besides Lisa ofc) /
>    fave videos?
>
> On the dance history project site, do watch Tony calling the Merry Go
Round.

>
>    1. Favorite dances that I should add to my box?
>
>
Many of Ted's dances can be tricky for contra dancers and tricky to teach.
But Joyeux Quadrille is not.  You can dance it to the name tune per Ted's
suggestion (a jig, btw), but done to southern reels with energy, it can
bring down the house. Tony does a neat change-up that's easy to accomplish
with the long lines to corner swing transition, alternating between ladies
and gents with the allemandes (and you can throw other stuff in there--an
opportunity for fun).

Tony's dances -- for starters, Star Breakdown, Left-Hand Star Breakdown,
and Duck Through and Swing

Contra dancers like keepers -- where you end each time through the figure
with your original partner.

Tom Hinds: Shooting Stars

Gene Hubert: Kimmswick Express (32-bar version) and Early Autumn Express
(32-bar version)

Bob Isaacs is making up come contra dancer accessible squares these days.
And he has some grid squares that are quite manageable when you have
dancers who can handle all the basics. (And a shout-out to Kathy Anderson
who was calling grid square at the Ralph Page Legacy Weekend back in the
late '90s.)

For graduate studies, explore The Teakettle, created by Ron Buchanan.

Get comfortable with doing Appalachian-style squares where you do a
visiting couples figure like Rights Hands Across or Duck for the Oyster. Do
the figure, then it's "circle up four, find another couple and circle some
more." These are dances you can call for dance parties, contra dancers, and
anywhere in between. You can start one up and people can join at any time.
Visiting couples figures can be boring in a four-couple square and a lot
more fun in a big circle.

And laugh when you make a mistake. Have fun.

R

>
>
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