I use the move (balance, square thru two, repeat), but don't use the term
balanced or interrupted (though I understand both in written instructions).
To dancers, I just orient with whom they will be doing it and say balance,
pull by (this person), pull by (that person). I call it a "square thru." I
understand that MWSD does not typically use balances in square thrus, so if
MWSD dancers are present I might explain the addition as a habit among
contra dancers. With contra dancers I might similarly explain when I use a
no-balance version of square thru.


—Jerome Grisanti


Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com

"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe

On Sat, Aug 9, 2025, 6:00 PM Chris Page via Contra Callers <
[email protected]> wrote:

> It's because with the balance and square through, a little time is
> stolen from the balances.
> It also feels like a rushed figure, but there's recovery points.
>
> My best (rough) estimate for the timing of a square through is 2 beats
> per pull by
> and 1 beat per 90 degree turn.
>
> Tony Parkes original version of Friday Night Fever, with only one balance,
> takes
> the same timing approach. I'm not sure when two balances got added to
> square throughs. Maybe "Al's Advice"?
>
> Cheers,
> -Chris Page
> Los Angeles, CA
>
> On Sat, Aug 9, 2025 at 1:42 PM Joe Harrington via Contra Callers
> <[email protected]> wrote:
> >
> > Oddly, in several dances with uninterrupted square through twos and
> threes in Caller's Box, the figure is given an extra two beats.  What's
> with that?  See:
> >
> > The Amazing Sarah Wilcox by Tom Hinds
> > https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=6397
> >
> > 0.0238095238 or 1/42 by Gary Shapiro
> > https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=12155
> >
> > Square Route by Bob Isaacs and Chris Page
> > https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=13707
> >
> > --jh--
> >
> >
> > On Sat, Aug 9, 2025 at 3:52 PM Bob Hofkin via Contra Callers <
> [email protected]> wrote:
> >>
> >> I pulled Contra*Butions 3 off my shelf, and found the term "balanced
> >> square thru" (along with a definition). I'm sure Chris and Michael have
> >> good reason for standardizing on "interrupted" and I'm not about to
> >> challenge them.
> >>
> >> Bob
> >>
> >>
> >> On 08/09/2025 12:13, Bob Morgan via Contra Callers wrote:
> >> > Caller's Box only references interrupted square through
> >> >
> >> > Carol Ormand's Baling Hay does contain an interrupted square thru 2
> >> >
> >> > https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1522
> >> > <https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=1522>
> >> >
> >> > I don't think I've come across balanced square through all that much
> >> > here.  I would define either usage in teaching though.
> >> >
> >> > Bob
> >> >
> >> > On Sat, Aug 9, 2025 at 7:38 PM John Sweeney via Contra Callers
> >> > <[email protected]
> >> > <mailto:[email protected]>> wrote:
> >> >
> >> >     The original “Rights & Lefts” was commonly four steps for each of
> >> >     four “changes”.____
> >> >
> >> >     __ __
> >> >
> >> >     Square Dancers often do them at twice that speed, just two steps
> for
> >> >     each change.____
> >> >
> >> >     __ __
> >> >
> >> >     My guess is that Contra Dancers found four steps too slow and
> wanted
> >> >     to add more energy, so they introduced the Balance Forward & Back
> >> >     then two quick changes.____
> >> >
> >> >     __ __
> >> >
> >> >     Note: Square Dancers define Square Thru as finishing in the
> >> >     direction you were facing for the last change, with your back to
> the
> >> >     person you just passed; Contra Dancers liked the term, but ignored
> >> >     that bit of the definition!  Aren’t living traditions
> wonderful?____
> >> >
> >> >     __ __
> >> >
> >> >     Of course, since a Balanced “Square Thru” is now a well-defined
> >> >     contra term, an Interrupted one should surely be:____
> >> >
> >> >     Pull by Right, give Left Hand & Balance F/B, Pull by Left____
> >> >
> >> >     :-)____
> >> >
> >> >     __ __
> >> >
> >> >                  Happy dancing,____
> >> >
> >> >                         John____
> >> >
> >> >     ____
> >> >
> >> >     John Sweeney, Dancer, England [email protected]
> >> >     <mailto:[email protected]> 01233 625 362 & 07802 940 574____
> >> >
> >> >     http://www.contrafusion.co.uk <http://www.contrafusion.co.uk> for
> >> >     Dancing in Kent____
> >> >
> >> >     _______________________________________________
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> >> >
> >> >
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