>From SalonMagazine.CoM

...A.-P.O.R.T.R.A.I.T.-O.F.-E.G.Y.P.T.
.....[A journey through the world of militant Islam]


<Picture: A Portrait of Egypt>

BY MARY ANNE WEAVER

FARRAR, STRAUS AND GIROUX

NONFICTION

352 PAGES

BY THEODORE SPENCER | In "A Portrait of Egypt," Mary Anne Weaver has a
jolting message for everyone who is hoping for peace in the Middle East: Be
afraid, be very afraid. Weaver, a staff writer for the New Yorker, makes a
clear and convincing case that the inhabitants of the most populous and
influential Arab nation will soon topple President Hosni Mubarak's military
dictatorship and install an Islamist regime in its place, with a
domino-effect potential for the entire Arab world.

The fuel for the unrest is less the Koran than the rise of astonishing
economic inequality and brutal repression. Since the '70s, Weaver writes,
when she was a graduate student at the American University of Cairo, Egypt
has lost its complex social and economic layers, becoming a land of haves
and have-nots, where the capital city is home both to dealerships doing a
brisk trade in $400,000 Mercedes and to slums with, on average, 3.7 people
living in every room.

One of the surprises in Weaver's book is its portrait of Mubarak -- a man
usually pictured in the Western press as a stalwart agent of peace -- as a
distant and brutal leader whose regime jails and tortures people without
cause and, according to Amnesty International, gives its forces "an
official license to kill with impunity." Another is Weaver's ability to get
into the Muslim mind and provide a three-dimensional portrait of the
Egyptians who believe that Islam is the answer. She shows how Islamists
have taken control of the trade unions, the universities, the judiciary,
the bureaucracy and the arts -- democratically, and to such an extent that
their coming to national power appears to be just a matter of time.
"Islam," Weaver observes, "is the world's only major faith that can truly
be defined as political."

But Islamists wouldn't be on the brink of power today, she notes
repeatedly, were it not for three radicalizing events of 1979. The Iranian
revolution, the most stunning Islamic political victory in centuries,
emboldened Islamists throughout the world with its example of a loosely
formed and heavily repressed opposition toppling the Shah. The Camp David
accords between Egypt and Israel enraged Egyptian Islamists, who felt that
their president, Anwar el-Sadat, had sold out the Palestinians. And the
Soviet invasion of Afghanistan led to a war that would not only unify
Islamists throughout the world but also provide a U.S.-funded training and
networking ground for extremists who would later turn on the United States.


The tipping point for Mubarak, Weaver argues, was the November 1997
massacre at Luxor. In that attack, gunmen killed 62 foreign tourists in a
45-minute hail of AK-47 fire and met no resistance from police. The Luxor
massacre crippled the Egyptian economy by all but eliminating its primary
source of revenue -- tourism -- and suggested that Mubarak was not in
control of the country. Thus it is that Egypt finds itself on the verge of
following in Iran's footsteps.

Weaver's book is assiduously reported and written in an engaging,
memoir-like style that puts a human face on people often characterized as
fanatics. It includes interviews with all the main Egyptian players, among
them Mubarak and Sheik Omar Abdel-Rahman, the spiritual leader of the
militant Islamic factions Gama'a and al-Jihad and the mentor of the World
Trade Center bombers. There are moments, however, in Weaver's
vignette-driven format when she comes across a bit like an older, somewhat
naive Nancy Drew. She writes a few too many times of being "struck" by this
or that epiphany while walking down the steps from some interview. Overall,
though, "A Portrait of Egypt" is a finely realized book: an image of a
nation from an angle we don't often see it from, and one that cannot be
ignored.
SALON | March 22, 1999

Theodore Spencer is a freelance writer who lives in Manhattan.


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A<>E<>R

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