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http://www.freemason.org/cfo/spring_2003/shadow.htm

IS FREEMASONRY AFRAID OF ITS OWN SHADOW?
By JAY KINNEY - Posted by permission 

[Return to the table of contents] 

Masonry's Love/Hate Relationship with Esoteric Traditions
"Is Freemasonry Afraid of its own Shadow?" is the title of this 
paper. Now, some of you are probably wondering exactly what "shadow" 
I'm referring to. Am I suggesting that Masons are like groundhogs who 
pop out of their holes once a year, see their shadows, and dive back 
down for another six weeks of winter? Well, not exactly.

The great psychologist Carl Jung coined the term, "the Shadow," to 
refer to those parts of each person's psyche and personality that 
they are ashamed of or embarrassed by. Those things in the Shadow are 
not necessarily bad - they may just be under-developed or unaccepted 
parts of our beings. 1 But most of us prefer to push them into the 
Shadow so that we don't have to think about them. And we usually hope 
that by keeping them out of sight and mind, others will ignore them 
too.

But you know, the Shadow is a funny thing. Sometimes those parts of 
ourselves that we've tried so hard to ignore are glaringly obvious to 
our friends - or our enemies. They end up being those things that our 
friends tease us about unmercifully.

Carl Jung was of the opinion that we'd be a lot less neurotic and 
self-defeating if we brought our Shadows into the light of 
consciousness and acknowledged them. Sometimes, in fact, we'd find 
that our Shadows were like missing pieces of a puzzle - that once 
they found their proper places, we'd be rewarded with a sense of 
wholeness and completion that had been previously lacking.

How might this apply to Freemasonry? Human organizations often 
function like a collective personality or a group psyche with its own 
Shadow - which consists of those things that we seldom discuss, 
whether out of embarrassment or confusion or discomfort.

But since our rituals remind us that we seek "more light," I'd like 
to propose that we shine some light on one aspect of Masonry's 
Shadow - its Love/Hate relationship to esoteric traditions. This 
conflicted relationship dates back to the beginnings of Speculative 
Masonry, but it also has a contemporary impact on how others see 
Masonry and how we see ourselves.

ESOTERIC TRADITIONS AND FREEMASONRY
"Esoteric," like the term "occult," has a common meaning of something 
hidden or obscure. It is often used to refer to knowledge or 
teachings that are restricted to a special circle of initiates. Thus 
Masonry sometimes refers to the "esoteric" portions of its rituals, 
which means the signs, tokens, and words that are not supposed to be 
written down, even in a cipher book.

However, "esoteric" can also refer to an inner meaning or the essence 
of a religion or a body of wisdom. This can be something as simple as 
when Jesus talked about "the spirit of the Law," in contrast to "the 
letter of the Law." Or it can be something as complex as a system of 
mystical practices that promises to help one draw closer to God.

For instance, the mystical system of Kabbalah is sometimes called 
esoteric Judaism, just as the mystical teachings of Sufism are 
sometimes called esoteric Islam. Similarly, Yoga is sometimes 
considered esoteric Hinduism, and so forth.

The "esoteric traditions," with which Masonry has had its conflicted 
Love/Hate relationship, include:

the Kabbalah; 
Rosicrucianism - which is a kind of esoteric Christianity; 
Sacred Geometry and Sacred Architecture; 
Hermeticism - which has its roots in ancient Greece and Egypt; and 
Alchemy - which was actually much more than just an attempt to turn 
Lead into Gold.
Unfortunately, we don't have space in this paper to delve into the 
specifics of these rather arcane traditions. 2 Instead, I will focus 
the discussion on how the esoteric traditions came to be associated, 
in the minds of some Masons, with Masonry itself; and whether this is 
a blessing or a curse.

MASONIC REASSESSMENT OF THE ESOTERIC
In 2001 at the California Masonic Symposium, Dr. Paul Rich gave an 
excellent paper in which he discussed the value of ritual, and how 
Robert Bly's Men's Movement has tried to reinvent the wheel of 
initiatory ritual for men, when Masonry already has just such rituals 
available. 3 Brother Rich also indicated several neglected areas of 
Masonic research that have been relegated to the Masonic Shadow. But, 
ironically, hidden in the footnotes of Bro. Rich's paper was a 
provocative statement that articulates one side of the Masonic 
Love/Hate relationship with the esoteric.

He wrote: "Of course there is a lunatic fringe of Masons who see the 
fraternity as the heir of all ancient mysteries and believe that 
Hiram Abiff is Osiris, Mythras, and Bacchus. This is grist for the 
mill of anti-Masons." 4

I hope that Bro. Rich will forgive me if I suggest that this sounds 
to me like our old friend the Shadow.

Let me repeat that first line again: "Of course there is a lunatic 
fringe of Masons who see the fraternity as the heir of all ancient 
mysteries . . ."

Now, my intention here is not to argue that our fraternity is the 
heir of all ancient mysteries. I wouldn't go quite that far - and 
besides, no one wants to be called a lunatic.

But I do think that it is a risky business to consign to the lunatic 
fringe those Masons who have seen or do see connections or parallels 
between Masonry and the Ancient Mysteries, the great myths, and 
esoteric traditions.

It is risky for two reasons.

1) It is not really accurate. It is quite easy to demonstrate that 
some very notable Masons have held such beliefs, and if we now deny 
their past prominence and influence we risk garbling our own history. 
5 

2) It risks throwing the baby out with the bathwater, which is to 
say, it discourages Masons from delving deeper into their own myths 
and symbols for fear that doing so might provide ammunition for Anti-
Masonic snipers.

I am well aware that Anti-Masonic critics and conspiracy mongers are 
a serious problem. They have caused some Christian denominations to 
view Masonry in a negative light, and they've contributed to the 
present push in England to register all Masons who are in the 
military, law enforcement, and the courts. Certainly there is no need 
to give them further grist for their mill. 

However, I don't think that grist itself is really the problem. They 
already have plenty of grist from nearly 300 years of Masonic 
writing, speculation, and ritual - and believe me, some Anti-Masons 
are experts at ferreting out ambiguous quotes from Masonic books that 
have been gathering dust on the shelves for a hundred years or more. 
The problem is the interpretation of that grist. 

Bros. S. Brent Morris and Art DeHoyos have taken on some of the Anti-
Masonic distortions and misinterpretations in their book, Is it True 
What They Say About Freemasonry? 6 But there is more to be done. One 
of those things is to arm ourselves with a realistic assessment of 
Masonry's relationship to the esoteric. 

Let's consider for a moment the origins and evolution of modern 
Speculative Masonry. I'm not talking about the various romantic 
theories tracing Masonry back to Egypt or to the Knights Templar. If 
we just stick to the historical record, modern Masonry began to 
emerge in the 1600s. This is when educated gentlemen, such as Elias 
Ashmole and Robert Moray, began to be initiated. 7

These people were living on the cusp between the late Renaissance and 
the beginning of the Enlightenment era. And Masonry, as we know it, 
was a product of that cusp.

Let's recall for a moment what it was that sparked the Renaissance in 
Italy. Cosimo de' Medici sponsored Marsilio Ficino's creation of a 
new Platonic Academy and asked him to translate Platonic, 
Neoplatonic, and Hermetic texts into Latin. Ficino's colleague, Pico 
della Mirandola, brought Jewish mysticism - the Kabbalah - into 
Christian awareness and saw it as compatible with Christianity. 8 
These "new" but ancient ways of looking at things inspired a surge in 
cultural creativity . . . and this manifested in many ways.

One of these was the growth of Humanism, with its emphasis on the 
individual. Another was the freedom felt by great artists like 
Michelangelo and Botticelli to include pagan myths and gods as part 
of their subject matter. This derived from the Renaissance idea that 
there was a Universal Wisdom that has expressed itself in every age 
and culture, and that inspiration could be validly drawn from pre-
Christian and non-Christian sources. 9 Yet another result of the 
Renaissance was a growth of interest in Alchemy, Rosicrucianism, 
Natural and Divine Magic, and Protestant Mysticism among the well-
educated elite. 10

Because the Catholic Church felt threatened by this upsurge of 
activity outside of its control, many of the students of these 
esoteric "sciences" used elaborate systems of symbols and allegory to 
communicate their ideas to each other. This was also a time when 
there was a special emphasis on the value of training the mind to 
prodigious feats of memory, through the use of "memory palaces." 
These were imaginary structures that the memorizer walked through in 
his mind, placing particular objects and people at various locations, 
as triggers to recall each part of a lengthy text or procedure. 11

Please note these esoteric methods: symbol, allegory, and 
memorization.

I don't think it is unreasonable to suggest that some of the early 
Masons were inspired by this approach. The use of symbols, allegory, 
and memory in Masonry is strikingly similar to those esoteric systems 
of spiritual inquiry and development that were in the air when 
speculative Masonry was first being established.

To give just a brief example, according to Masonic tradition: "A 
Lodge is metaphorically said to be supported by three great pillars, 
denominated Wisdom, Strength, and Beauty." 12 It is perhaps not 
entirely coincidental that in the Kabbalistic glyph of the Tree of 
Life, the ten sefirot (Divine attributes or vessels) are aligned in 
three columns and that three of the sefirot, Hokhmah, Gevurah and 
Tiferet, reside on each of the three columns, and are respectively 
named Wisdom, Strength, and Beauty. 13 

Let me be clear. I am not arguing here that Masonry itself was 
intended to be an esoteric system as such, or that it had a direct 
unbroken lineage from earlier esoteric traditions. Maybe it did, 
maybe it didn't. But I do think it is a case of fear of the Masonic 
Shadow to relegate such inquiries to a supposed lunatic fringe or to 
the tender embraces of Anti-Masonic bigots.

Consider this: Elias Ashmole, who is the earliest English Mason for 
whom there are written indications of initiation, and who was one of 
the founding members of the Royal Society, had certain key 
Rosicrucian texts in his personal library. 14 The 1600s were not a 
time when acquiring books was just a matter of joining the Book of 
the Month Club. Each text required extra effort and expense to 
obtain, and indicated a special interest on the part of the 
collector. Again, the Rosicrucian texts employed allegory, symbolism, 
and myth to convey their ideas of spiritual renewal. 

This in itself doesn't prove a connection between Masonry and 
Rosicrucianism. It merely suggests that some sort of kinship between 
the two is not out of the question. It is a legitimate field for 
Masonic inquiry.


THE EVOLUTION OF MODERN FREEMASONRY
Freemasonry as it evolved in the 18th century was influenced by the 
Enlightenment and, as we know, it incorporated the emerging ideas of 
brotherhood, freedom of thought and freedom of association. 15 Masons 
are rightly proud of this part of their heritage, and even though 
Anti-Masons are able to put their own negative spin on this, I 
haven't seen too many Masons repudiating these ideals. 

However, when we get to the 19th century, which was, in many ways, 
the richest period of fraternal development, 16 we again enter a 
period that many present brethren would just as soon forget. The 
William Morgan affair, and the era of the Anti-Masonic Party as a 
political phenomenon, left their indelible marks on American Masonry. 
One effect was that Masonry became understandably concerned about its 
public image and distanced itself from the freewheeling days of 
Masonic fellowship in the upstairs rooms of pubs and taverns.17 But 
more significantly, in response to political and religious criticism, 
Masonry turned inward and emphasized its spiritual value for its 
members, as opposed to its earlier, more public stance, as a bulwark 
of Enlightenment republican ideals.18 

As the scholars Lynn Dumenil and Mark Carnes have indicated in their 
excellent books, Freemasonry, in the mid- and late 19th century, 
became a spiritual refuge from the stress of Industrialization and 
the tensions of changing relations between men and women. The lodge 
became a place that men could repair to, for solace, inspiration, and 
initiation.19 This period was a time of cultural upheaval, especially 
in America. The advance of Science, which had been encouraged by the 
Enlightenment, undercut many people's faith in conventional religion. 
Yet spiritual longings remained. In a kind of replay of the 
Renaissance, there was a surge of interest in alternative 
metaphysical teachings, spiritualism, the religions of other 
cultures, the new discoveries of Egyptian archaeology, the question 
of human origins raised by Darwin, and a reinvestigation of esoteric 
traditions. These were all fed by the subtle influences of 
Romanticism. 20 

No better figure exemplifies this age than General Albert Pike, who 
is the single most influential leader in the history of the Scottish 
Rite - Southern Jurisdiction, and the favorite whipping boy of the 
Anti-Masons. Pike was, in many ways, a latter-day Renaissance man. He 
was, in the course of his life, a Confederate General, a newspaper 
man, a lawyer, an avid amateur scholar, and a devoted Mason.21 He was 
also - pay close attention here - an advocate of the notion that 
Freemasonry was the preserver of the Ancient Mysteries.22 

Pike was the man who rewrote the degrees of the Scottish Rite into 
symbolic dramas that drew upon the myths and symbols of various 
spiritual traditions, some of them esoteric. He was a strong believer 
in what Bro. Rex Hutchens has called Pike's "Unity Concept." As 
Hutchens describes it, "Pike believed there was a fundamental unity 
in the belief systems developed during the early history of mankind. 
These belief systems, often called religions, all basically 
subscribed to the idea of one powerful overarching Deity Who 
transcends all idolatry and man's ability of expression." 23

Was Pike right or wrong? I'm sure we can argue over this for years to 
come. But whether he was correct or not in this belief, the point is 
that he found this esoteric idea echoed in Masonry's insistence that 
the believers of different religions could share a brotherhood, 
despite their theological differences - as long as they believed in 
God, Who was neutrally called the Great Architect of the Universe.

Albert Pike's masterwork, Morals and Dogma, was presented to all 
Scottish Rite Masons upon their 14th degree, from its publication in 
1871 until 1974.24 Since then, condensed commentaries on Morals and 
Dogma, first by Henry Clausen,25 and then by Rex Hutchens,26 have 
been given to all Scottish Rite members instead. In other words, 
Pike's ideas - whether we agree with them or not - have been shared 
with Scottish Rite initiates, in one form or another, both in Moral 
and Dogma and its commentaries, and in the degree rituals themselves, 
since the 19th century.

No one is required to agree with them. Despite the name of Morals and 
Dogma, Pike's ideas are not treated as Masonic dogma. But I think 
that basic honesty requires that we acknowledge that Albert Pike 
didn't reside on a Masonic lunatic fringe and that Masons who may 
have been influenced by his ideas aren't necessarily lunatics either.

As Freemasonry entered the 20th century, the culture at large was 
continuing to change. As Lynn Dumenil has indicated, Masonry changed 
again as well. It became less of a introverted spiritual refuge and 
more of an extroverted, civic organization, competing with the 
Kiwanis and Rotary Clubs.27 The 19th century Masonic appreciation for 
initiatory ritual, and its fascination with ancient origins, gave 
way, after World War One, to a preoccupation with 100% Americanism 
and an emphasis on public charity.28 The romantic approach to Masonic 
history, which took it for granted that Masonry came down through the 
ages from Noah or even Adam, gave way to the Realistic School of 
Masonic history, which discouraged such speculations.29 Yet, amidst 
these changes in emphasis, Masonry still preserved its rituals, its 
symbols, its memorization, and its links with its past.

Statistics indicate that Masonry reached its peak in terms of 
membership at the end of the 1950s and has experienced a decline ever 
since.30 The 1960s were a time of another major upheaval in American 
culture, with political assassinations, the Civil Rights movement, a 
polarization of society over the Vietnam War, and a severe generation 
gap. I've listened to 50-year Masons at my lodge describe that era, 
and they've said that it was all they could do to preserve our 
traditions, and no one had a clue about how to attract the younger 
generation.

And here we come to the irony and tragedy of the Masonic Shadow. The 
1960s and '70s were characterized by a spiritual longing on the part 
of America's youth. The Baby Boom generation was disenchanted with 
materialism and hypocrisy, and was searching for spiritual moorings 
that could connect the past, present, and future. I've long felt that 
the counter-cultural impulse was as conservative as it was radical. 
The Sixties' move to long hair, wire-rimmed glasses, granny dresses, 
natural foods, and art nouveau art, indicated a wish to connect with 
an earlier era before the Rat Race had us in its grip, and when 
brotherly love, relief, and truth were honored ideals.

One need only look at those old photographs of Albert Pike, with his 
long hair and his beard, and wonder whether he lived in the 1860s or 
the 1960s! 31 

I admire the Scottish Rite and its heritage. It is only one part of 
the totality of Masonry, but it is an important part. Nevertheless, 
one more example of the Masonic Shadow springs to mind as regards the 
Rite in the Southern Jurisdiction. 

In 1904 the Scottish Rite - Southern Jurisdiction started a monthly 
magazine for its members.32 Its title? The New Age. Perhaps this 
indicated the mood of optimism that marked the start of a new 
century. Let's resist the temptation to read anything too esoteric 
into it. 

But, again, it is ironic that the Scottish Rite maintained the 
magazine with this same title all the way until 1989 33 when "the New 
Age" had become a popular name for the post-60s and 70s search for 
alternative spirituality. Heaven forbid that Freemasonry should 
appear to have something to offer to yet another generation of 
seekers. The same fundamentalists and paranoids who were attacking 
Freemasonry were also going after the New Agers, and the Scottish 
Rite apparently decided that an implied association with the New Age 
Movement was a burden it didn't want to bear. The New Age changed its 
name to the Scottish Rite Journal.34 

Perhaps this was a wise decision. After all, the New Age Movement is 
now in decline, like the Counterculture that preceded it, and I'm not 
saying that Freemasonry should jump on every bandwagon that comes 
down the line.

What I would like to suggest is that Freemasonry has a complex 
heritage that includes both esoteric and rationalist components, as 
well as pre-modern, modern, and postmodern elements. Because of this, 
it has the potential to address the changing needs of each new 
generation by rediscovering those parts of Masonry that supply what 
is lacking in their lives.

But this cannot happen if Freemasonry denies major parts of its 
heritage and tries to fit the square peg of the 21st century into the 
round hole of 1959. We have before us yet another generation reaching 
its maturity - a generation with its own unique needs and longings. 
The Three Great Lights and the Working Tools of Masonry are 
appropriate to every age, and our degree rituals have withstood the 
test of time. But I would suggest that our Gentle Craft needs to 
bring its Shadow into the Light and accept the totality of its 
influences, history, and hidden mysteries.

If we let the Anti-Masons define what we feel safe to discuss about 
our own complex history, and if we allow sensationalistic authors to 
have the final say on how people perceive Freemasonry, then we are 
surely doomed. After all, it just might be that some of those 
elements of Masonic history that we have pushed into the shadows are 
the very things that may pique the interest of a new generation of 
potential Masons.

Yes, Freemasonry has much to offer to those who will come of age in 
the 21st century. As Dr. Paul Rich pointed out in his paper last 
year, we possess one of the few ritual initiations available that 
provides a true rite-of-passage for men in our society. 35 It is not 
grueling or embarrassing, but it is deeply affecting when it is done 
well. It contains elements that encourage the new member to develop 
his best qualities, to be honest and direct with others, and to care 
about his community.

Through our initiations, every Master Mason becomes symbolically in 
charge of building his own inner temple - "that house not made with 
hands" - in which to hold the "holy of holies," symbolized by the Ark 
of the Covenant in the inner chamber of Solomon's Temple.

There are many ways to look at this inner temple: as one's higher 
self; one's spirit; one's connection to God; as the spark of the 
divine within, that we have the opportunity to fan into a warm and 
light-imparting flame. 

This isn't a sectarian religious matter - it is a broad spiritual and 
psychological symbol system that has the potential to speak to 
everyone. 

However, that potential will remain unfulfilled, for yet another 
generation, if we emulate groundhogs and dive out of sight every time 
we see our Shadow. Or worse still, if we try to hold our ground by 
denying that there is any Shadow to see. Masonry's relationship to 
the esoteric traditions may be complex, confusing, and a sore point 
in our sparring with Anti-Masons. But it is also an intriguing and 
rewarding subject for Masonic research and education. 

We needn't swallow everything that the romantic Masons of the past 
assumed was true. But, at the same time, we needn't toss the myths, 
allegories, and parallels between Masonry and the esoteric into the 
trash-heap of history. If we are really serious about wanting more 
Light, we need to re-think the taboos that have kept the Speculation 
out of Speculative Masonry for the last century. 

And that's the idea that I'd like to leave you with: Let's not be 
discouraged by Anti-Masonic misunderstandings and misinterpretations 
that lead us to keep our light under a bushel.

Let's help each other shine some light into those dusty shadows so 
that we can see the wisdom of Brother Franklin Roosevelt's words: "We 
have nothing to fear but fear itself." 

© 2002 Jay Kinney 

  About Jay Kinney: Jay M. Kinney is Librarian and Director of 
Research for the San Francisco Scottish Rite Bodies and Junior Deacon 
of Mill Valley Lodge No. 356, Mill Valley, California. He was 
Publisher and Editor-in-Chief of Gnosis Magazine for 14 years and co-
author of Hidden Wisdom: A Guide to the Western Inner Traditions. The 
Inner West, an anthology he has edited, is due out in 2004.  


A version of this paper was originally delivered at the Second 
California Masonic Symposium, 2002, in Sacramento, Calif. This 
version appears in Heredom Vol. 10, 2003, the Transactions of the 
Scottish Rite Research Society. 

Notes:
1 See M.-L. von Franz, "The Process of Individuation," in Carl G. 
Jung, editor, Man and His Symbols (Garden City, NY: Doubleday & Co., 
1964), pp. 168-176.

2 For an accessible overview of these esoteric traditions, see: 
Richard Smoley and Jay Kinney, Hidden Wisdom: A Guide to the Western 
Inner Traditions (New York, NY: Penguin/Arkana, 1999).

3 Paul Rich, Ph.D., "The Use and Misuse of History," in Proceedings: 
California Masonic Symposium, July 21, 2001 (San Francisco, CA: 
Institute for Masonic Studies and Committee on Masonic Education, GL 
F. & A.M. of Calif., 2001).

4 Ibid, footnote 38, p. 20.

5 These would include Thomas Smith Webb, propagator of the most 
commonly used Masonic ritual in the U.S.; Rev. George Oliver, Deputy 
Provincial Grand Master of Lincolnshire, known in his time as "the 
sage and historian of masonry"; Albert G. Mackey, Secretary General 
of the AASR-SJ, and Grand Secretary and Grand Lecturer of the Grand 
Lodge of South Carolina; Gen. Albert Pike, Grand Commander of the 
AASR-SJ; Manly Palmer Hall 33º, prolific author and lecturer on 
esoteric traditions, and founder of the Philosophical Research 
Society in Los Angeles; Harry L. Haywood, former Librarian of the 
Grand Lodge of Iowa; George Steinmetz, Orator of the San Francisco 
Bodies AASR-SJ; and others. S. Brent Morris has pointed out in "The 
Letter 'G'," in The Plumbline, Sept. 1992: "Albert Mackey, quoted so 
religiously by our foes, repudiated the idea of Masonic descent from 
the Ancient Mysteries in his History of Freemasonry (1906). His last 
writings can hardly be called support for his earlier theories, and 
hence are ignored by those looking for lurid accusations." Be that as 
it may, and the attacks and distortions of Anti-Masons 
notwithstanding, Mackey's earlier writings (such as A Lexicon of 
Freemasonry (1852, 1869) and Encyclopedia of Freemasonry (1873)) 
shouldn't be excused out of existence or relegated to the lunatic 
fringe. They were indicative of a widespread belief in the era in 
which they appeared.

6 Art DeHoyos, S. Brent Morris, Is it True What They Say About 
Freemasonry? (Silver Spring, MD: Blue Light Publishing, 2001).

7 Robert Moray, a Scotsman, was initiated on May 20, 1641, and 
Ashmole on Oct. 16, 1646 at Warrington, Lancashire. See Joseph Fort 
Newton, The Builders (Cedar Rapids, IA: The Torch Press, 1914) pp. 
161-162.

8 Antone Faivre, Access to Western Esotericism (Albany, NY: State 
University of New York Press, 1994) pp. 58, 60. 

9 See Joscelyn Godwin, The Pagan Dream of the Renaissance (Grand 
Rapids, MI: Phanes Press, 2002).

10 See, for instance, Frances A. Yates, The Occult Philosophy in the 
Elizabethan Age (London: Ark/Routledge & Kegan Paul, 1983).

11 See Frances A. Yates, The Art of Memory (Chicago: University of 
Chicago Press, 1966).

12 Monitor and Officers' Manual, Grand Lodge of California F&AM, 1997 
edition, p. 7.

13 See S.L. MacGregor Mathers, Trans., The Kabbalah Unveiled (New 
York, NY: Penguin/Arkana, 1991), p. 24-25. The spellings I give for 
the three sefirot are those used by Gershom Scholem, Kabbalah (New 
York, NY: Meridian/N.A.L., 1978), p. 107. It is worth noting that The 
Kabbalah Unveiled, in its Latin translation by Knorr Von Rosenroth, 
was one of Albert Pike's principal sources in composing Morals and 
Dogma.

14 See Christopher McIntosh, The Rosicrucians (York Beach, ME: Samuel 
Weiser, Inc., 1997), p. 47. McIntosh notes that both Robert Moray and 
Elias Ashmole were "deeply interested in Rosicrucianism," p. 43.

15 Steven C. Bullock, Revolutionary Brotherhood (Chapel Hill, NC: 
University of North Carolina Press, 1996), pp. 26-28, 38-39.

16 Mark C. Carnes, Secret Ritual and Manhood in Victorian America 
(New Haven, CT: Yale University Press, 1989), p. 1. Carnes notes, "In 
1897 W.S. Harwood, writing for the North American Review, described 
the last third of the nineteenth century as the 'Golden Age of 
Fraternity.'"

17 Ibid, p. 33.

18 Bullock, pp 318-19. 

19 Lynn Dumenil, Freemasonry and American Culture 1880-1930 
(Princeton, NJ: Princeton University Press, 1984), p. 91. Carnes, p. 
146.

20 For an excellent summary of this period, see Joscelyn Godwin, The 
Theosophical Enlightenment (Albany, NY: State University of New York 
Press, 1994). See also, Michel Le Bris, Romantics and Romanticism 
(New York, NY: Rizzoli International, 1981), pp. 84-86, 170-73.

21 See Walter Lee Brown, A Life of Albert Pike (Fayetteville, AR: 
University of Arkansas Press, 1997) and Jim Tresner, Albert Pike: The 
Man Beyond the Monument (New York: M. Evans & Co., 1995).

22 See, for instance, Albert Pike, Morals and Dogma (Charleston, SC: 
The Supreme Council, 33º, AASR-SJ, revised edition, 1950), p. 
375: ". . . the legend of the Master's Degree is but another form of 
that of the Mysteries, reaching back, in one shape or other, to the 
remotest antiquity." 

23 Rex. R. Hutchens, Pillars of Wisdom: The Writings of Albert Pike 
(Washington, D.C.: The Supreme Council, 33º, AASR-SJ, 1995), p. 40.

24 Rex R. Hutchens, A Bridge to Light (Washington, D.C.: The Supreme 
Council, 33º, AASR-SJ, 1995 [2nd Edition]), p. 2.

25 Henry C. Clausen, Clausen's Commentaries on Morals and Dogma 
(Washington, D.C.: The Supreme Council, 33º, AASR-SJ, 1974).

26 Hutchens, A Bridge to Light, op cit.

27 Dumenil, pp. 115, 178.

28 Ibid., pp. 153, 175.

29 See, for instance, R. A, Gilbert, "William Wynn Westcott and the 
Esoteric School of Masonic Research," in Ars Quatuor Coronatorum, 
1987. Gilbert characterizes the two competing approaches to Masonic 
history as the "authentic school" and the "esoteric school."

30 See Paul M. Bessel's running totals of Masonic membership, 
(http://bessel.org/masmembs.htm). According to the best statistics 
available to Bessel, there were 4,103,161 U.S. Masons in 1959. 
Membership was roughly half that by 1997. Harold V.B. Voorhis, in The 
Story of the Scottish Rite of Freemasonry (Richmond, VA: Macoy 
Publishing, 1980), pegs U.S. Masonic membership at 4,099,219 in 1960.

31 For instance, see photos reproduced on dust jacket of Tresner, op 
cit.

32 William L. Fox, The Lodge of the Double-Headed Eagle, 
(Fayetteville, AR: University of Arkansas Press, 1997).

33 Heather K. Calloway, "Caring For Our Collections," Scottish Rite 
Journal, May, 2001, p. 50.

34 Since first writing this paper, I've learned that the name change 
occurred, at least in part, as a response to the appearance on the 
newsstands of the New Age Journal, an alternative spirituality 
magazine. In order to avoid confusion and a costly trademark dispute, 
the name of The New Age was changed to Scottish Rite Journal. Or so 
I've been told. Perhaps this was a factor in the change, but probably 
not the primary one, as the New Age Journal first appeared in 1974, 
some 15 years before the name change. 

Calloway, in the article cited in note 30 above, states: "Another 
significant change in the cover format of the magazine occurred in 
1989 during the Biennial Session, when the title of the magazine was 
changed to The Scottish Rite Journal. The term "The New Age" had 
become associated with the movement of the same name, and the Supreme 
Council believed that this action would be a positive change."

35 Rich, p. 13. 


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