Glenn, That copy you have is the garbage one I had to use to patch in the first two songs. Jerry's MC is not the one you have, far from it. The one you have is the one listed at Deadlists now. I offered this info to the group because we now finally have the complete show in far above average 1976 AUD quality from a different source. The one you reviewed came from a master that was recorded on a dicta-phone type recorder. As I recall (it's been a few years since we unearthed that tape) the person recording the show was more into songs than jams, and thus "hand edited" the show for future listening while recording it.
Jerry Moore, bless his heart, never learned how to use a pause button. :-) Noah > I've had this for a few years. The quality is pretty poor; lots of cuts. I > reviewd it for the Compendium Addendum. > > Glenn > > My CDR Trading List > > http://www.geocities.com/deadhead20.geo/CDR.html > > My CD Cover Art Site: > > http://www.fortunecity.com/tinpan/doubleneck/122/ > > > -----Original Message----- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED]]On Behalf Of > [EMAIL PROTECTED] > Sent: Monday, January 13, 2003 2:33 PM > To: [EMAIL PROTECTED] > Subject: 1976 update [10-02-76] > > > The following info is not broken up in "deadlist timings," but I knew folks > would be happy to know that this is about to spring forth into our world of > trading. > > --Noah > > GRATEFUL DEAD > Saturday, October 2, 1976 > River Front Coliseum - Cincinnati, OH > Audience Recording > > AudMC > DAT > WAV > SHN > > Recorded by Jerry Moore on the left side, maybe a third of the > way out from the stage and two thirds in front of center court, > about 20 rows off the floor with 2 hand held Sony ECM-33Ps > > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. > > A > D by Noah Weiner ([EMAIL PROTECTED]) January 2003 > > Nakamichi MR-1 cassette deck (MC playback) > Teac AN-180 Dolby > decoder > Fostex D5 DAT deck (A>D only) > Turtle Beach Montego II > Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL > (SBE fix) > MKW (shn) > > note: There are occasional digital tick like sounds that upon > examination in Soundforge did not resemble digital errors. After > replaying the master cassettes, they were found there as well. > They are more than likely claps from very close to the mics or > simply anomalies on the master cassettes themselves. Because it > was hard to determine the clap/error truth, they have been left > on the final product. These occur only a handful of times > throughout the show. > > DISC ONE [63:35] > set one-a: > 01 [05:39] //Promised Land* > 02 [07:59] They Love Each Other* > 03 [07:35] New Minglewood Blues > 04 [12:20] Row Jimmy > 05 [05:38] El Paso > 06 [11:40] Tennessee Jed > 07 [07:25] It's All Over Now > 08 [05:19] Brown Eyed Women > > *taken from circulating AUD > ? > C > DAT > CD source. EQ applied > to somewhat improve sound quality and provide better transition > into Moore's master. Moore missed the first two songs due to > "audience problems." > > DISC TWO [73:26] > set one end: > 01 [01:16] crowd > 02 [12:57] Let It Grow > > 03 [06:18] Might As Well > set two-a: > 04 [01:49] crowd & tuning > 05 [08:12] The Music Never Stopped* > 06 [09:14] Candyman > 07 [08:48] Samson and Delilah > 08 [09:27] It Must Have Been The Roses > 09 [06:14] Big River > 10 [09:11] Friend Of The Devil > > *left channel line distortion on master cassette corrected > with right channel blend at 04:12 (one second), 06:28 and > 06:29 (under one second each) > > DISC THREE [51:18] > set two-end: > 01 [01:13] crowd > 02 [10:33] Dancin' In The Streets > > 03 [04:03] Drums > > 04 [10:25] Other One > > 05 [10:59] Stella Blue* > > 06 [03:01] Other One > > 07 [11:04] Sugar Magnolia > > *two minor noise blips on the master cassette from 6:07 to 6:09 > could not be removed affectively, thus they remain. > > note: There was no encore played. >
