Wow! I'm so glad to see the amazing discussion this has generated. I'm
definitely interested in helping write up a reframing/rebuttal piece later
(when I'm actually at a computer).

Sent from phone. - Alex Leavitt
On Jun 19, 2012 1:10 PM, "Alec Story" <[email protected]> wrote:

> I think it's pretty clear the monetary interest the music industry has in
> discrediting the free culture movement.  This article is one battle in that
> war.
>
> On Tue, Jun 19, 2012 at 3:59 PM, Thomas Levine <[email protected]
> > wrote:
>
>> When someone says things so grossly wrong as to warrant the line-by-line
>> corrections that we are preparing, I generally wonder what drove the person
>> to say such things.
>>
>>
>> On Tue, Jun 19, 2012 at 12:46 PM, Karl Fogel <
>> [email protected]> wrote:
>>
>>> Elizabeth Stark <[email protected]> writes:
>>> >There's a *lot* to rebut in this article, but one thing that stood out
>>> >to me is how he says, let's pin this on what artists should make, hey,
>>> >it's only $17.82 a month! This is what folks supporting systems like a
>>> >voluntary collective license and other direct-to-artist solutions have
>>> >been arguing for years — a way to cut out middlemen and find ways to
>>> >directly remunerate artists. Sadly this argument falls completely
>>> >flat, as the ~.20 cents per song direct-to-artist scenario is not an
>>> >option for the purchase of most any music today.
>>> >
>>> >And agreed that pinning the death of people who clearly suffered from
>>> >mental illness issues on lack of willingness of a generation to pay
>>> >for music is a cheap shot at best.
>>> >
>>> >I'd recommend that he read Courtney Love's famous article on the music
>>> >industry's pillaging of
>>> >artists: http://www.salon.com/2000/06/14/love_7/.
>>>
>>> Good points all.
>>>
>>> But I'd also caution: to accept his frame that it's about numbers ("Hmm,
>>> which way makes more measurable/reliable income for artists?  Whichever
>>> way it is, must be the best!") is to lose the argument before it begins.
>>>
>>> Numbers are part of the story -- but so is freedom, and people sharing
>>> music they love, and helping artists over the long term by getting the
>>> word out and creating new fans.
>>>
>>> One of the traps of rebuttals is that even as they refute every
>>> individual point, they still end up affirming the overall frame of
>>> reference & assumptions of the piece being rebutted.  This rebuttal
>>> needs to refute the worst points (and rhetorical excesses) in Lowery's
>>> piece, but it also needs to completely reframe the issue.
>>>
>>> -K
>>>
>>> >On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <[email protected]>
>>> >wrote:
>>> >
>>> >    That'd be fantastic.  I've seen the Lowery piece passed around by
>>> >    a few bands I like and have a lot of respect for, and don't really
>>> >    have the bandwidth atm to craft a pithy response.
>>> >    -a
>>> >
>>> >
>>> >
>>> >
>>> >    On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <[email protected]>
>>> >    wrote:
>>> >
>>> >
>>> >        I like the idea of a response fashioned like the one
>>> >        theoatmeal did. Maybe we can do both a visual piece as well as
>>> >        a written piece?
>>> >
>>> >        I'm on board to help out with both in collaboration with
>>> >        Questioncopyright. I'm in DC for the summer with too much free
>>> >        time. :>
>>> >
>>> >        Jennifer
>>> >
>>> >
>>> >
>>> >        On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
>>> >        <[email protected]> wrote:
>>> >
>>> >        FWIW, we've just been discussing over at QuestionCopyright.org
>>> >            whether
>>> >            to do a length rebuttal of David Lowery's open letter [1].
>>> >
>>> >            While it would take a while to construct a good response
>>> >            [2], on the
>>> >            other hand a good one would likely get some eyeballs --
>>> >            including some
>>> >            of the people who saw the original.  So it's a great
>>> >            opportunity.
>>> >
>>> >            If anyone here is drafting such a beast, please let us
>>> >            know, here or via
>>> >            http://questioncopyright.org/contact.  A truly well-done
>>> >            rebuttal is
>>> >            something we'd love to run; we've just got other stuff in
>>> >            the pipeline
>>> >            right now that makes it hard to draft a response to this
>>> >            too (lesson #1:
>>> >            number of opportunities will always exceed available
>>> >            resources :-) ).
>>> >
>>> >            I saw http://piratepad.net/KY6e7xIdkm which is a good
>>> >            brainstorm of
>>> >            ideas, but not, of course, a finished piece.
>>> >
>>> >            -Karl
>>> >
>>> >            [1]
>>> >
>>> http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-
>>> >            white-at-
>>> >            npr-all-songs-considered/
>>> >
>>> >            [2] http://theoatmeal.com/blog/tesla_response is one
>>> >            rather nice example
>>> >               of how to do such rebuttals :-).
>>> >
>>> >
>>> >
>>> >            Nate Otto <[email protected]> writes:
>>> >            >I love how the " the duration of the copyright term is
>>> >            pretty much
>>> >            >irrelevant for an ethical discussion." is so casually
>>> >            slipped in
>>> >            >there.
>>> >            >
>>> >            >The main thrust of what I've read so far is that it is
>>> >            not government's
>>> >            >responsibility to ensure that artists are fairly
>>> >            compensated. Except
>>> >            >that it is explicitly Congress's job to "promote the
>>> >            progress of
>>> >            >science and the useful arts" through arranging the
>>> >            underlying
>>> >            >principles of the marketplace.
>>> >            >
>>> >            >Governments so far have set up a metaphor of intellectual
>>> >            property to
>>> >            >guide this marketplace, and this article is fully
>>> >            grounded in that
>>> >            >tradition. I think there are problems with that metaphor
>>> >            that are
>>> >            >brought to our attention by what digital technology makes
>>> >            possible.
>>> >            >
>>> >            >In giving advice to people who want to work in the music
>>> >            industry, I
>>> >            >would point to reports like "The Sky is Rising" that Ali
>>> >            linked to and
>>> >            >encourage people to embrace the possibilities of business
>>> >            models not
>>> >            >built on the artificial scarcity of digital objects. It
>>> >            is not moral
>>> >            >to create scarcity out of abundance for the cause of rent
>>> >            seeking.
>>> >            >
>>> >            >This all might not be relevant to SFC's response to the
>>> >            piece, but I
>>> >            >completely agree that this is a moral discussion.
>>> >            >
>>> >            >But not all moral premises are valid.  When budgeting
>>> >            morally, what
>>> >            >percent of income does a generation in an average of $25k
>>> >            of debt have
>>> >            >to spend on CDs? As much as their parents could spend?
>>> >            >
>>> >            >Anyway, there is a moral discussion to be had, but it
>>> >            does not start
>>> >            >from accepting every metaphor that guided the music
>>> >            business before it
>>> >            >became possible to distribute all music to everyone who
>>> >            wanted it
>>> >            >without additional costs.
>>> >            >
>>> >            >I may have more to add in a day or two, the next time I
>>> >            come up for
>>> >            >air.
>>> >            >
>>> >            >-Nate
>>> >            >
>>> >
>>> >
>>> >            >_______________________________________________
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>>> >
>>> >
>>> >
>>> >
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>>> >
>>> >
>>> >
>>> >
>>> >
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>>> >
>>> >
>>> >
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>>
>>
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>
>
> --
> Alec Story
> Cornell University
> Biological Sciences, Computer Science 2012
>
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