A line by line commentary might be easiest and most effective. Rich posted
the piece into the piratepad, and I'm gonna spend the next little bit
adding my comments. Come! http://piratepad.net/KY6e7xIdkm

Adi



On Tue, Jun 19, 2012 at 10:35 AM, abram stern (aphid) <[email protected]>wrote:

> That'd be fantastic.  I've seen the Lowery piece passed around by a few
> bands I like and have a lot of respect for, and don't really have the
> bandwidth atm to craft a pithy response.
> -a
>
>
> On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <[email protected]> wrote:
>
>> I like the idea of a response fashioned like the one theoatmeal did.
>> Maybe we can do both a visual piece as well as a written piece?
>>
>> I'm on board to help out with both in collaboration with
>> Questioncopyright. I'm in DC for the summer with too much free time. :>
>>
>> Jennifer
>> On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <
>> [email protected]> wrote:
>>
>>> FWIW, we've just been discussing over at QuestionCopyright.org whether
>>> to do a length rebuttal of David Lowery's open letter [1].
>>>
>>> While it would take a while to construct a good response [2], on the
>>> other hand a good one would likely get some eyeballs -- including some
>>> of the people who saw the original.  So it's a great opportunity.
>>>
>>> If anyone here is drafting such a beast, please let us know, here or via
>>> http://questioncopyright.org/contact.  A truly well-done rebuttal is
>>> something we'd love to run; we've just got other stuff in the pipeline
>>> right now that makes it hard to draft a response to this too (lesson #1:
>>> number of opportunities will always exceed available resources :-) ).
>>>
>>> I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
>>> ideas, but not, of course, a finished piece.
>>>
>>> -Karl
>>>
>>> [1]
>>> http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
>>> npr-all-songs-considered/<http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/>
>>>
>>> [2] http://theoatmeal.com/blog/tesla_response is one rather nice example
>>>    of how to do such rebuttals :-).
>>>
>>> Nate Otto <[email protected]> writes:
>>> >I love how the " the duration of the copyright term is pretty much
>>> >irrelevant for an ethical discussion." is so casually slipped in
>>> >there.
>>> >
>>> >The main thrust of what I've read so far is that it is not government's
>>> >responsibility to ensure that artists are fairly compensated. Except
>>> >that it is explicitly Congress's job to "promote the progress of
>>> >science and the useful arts" through arranging the underlying
>>> >principles of the marketplace.
>>> >
>>> >Governments so far have set up a metaphor of intellectual property to
>>> >guide this marketplace, and this article is fully grounded in that
>>> >tradition. I think there are problems with that metaphor that are
>>> >brought to our attention by what digital technology makes possible.
>>> >
>>> >In giving advice to people who want to work in the music industry, I
>>> >would point to reports like "The Sky is Rising" that Ali linked to and
>>> >encourage people to embrace the possibilities of business models not
>>> >built on the artificial scarcity of digital objects. It is not moral
>>> >to create scarcity out of abundance for the cause of rent seeking.
>>> >
>>> >This all might not be relevant to SFC's response to the piece, but I
>>> >completely agree that this is a moral discussion.
>>> >
>>> >But not all moral premises are valid.  When budgeting morally, what
>>> >percent of income does a generation in an average of $25k of debt have
>>> >to spend on CDs? As much as their parents could spend?
>>> >
>>> >Anyway, there is a moral discussion to be had, but it does not start
>>> >from accepting every metaphor that guided the music business before it
>>> >became possible to distribute all music to everyone who wanted it
>>> >without additional costs.
>>> >
>>> >I may have more to add in a day or two, the next time I come up for
>>> >air.
>>> >
>>> >-Nate
>>> >
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>>
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