I brought this topic up over at computeraudiophile.com

Got a thoughtful answer from music producer Barry Diament, who records
in 24/192 and produces hi-res discs. He has an explanation for why
24bit does matter.

http://www.computeraudiophile.com/content/debate-24-bit-it-just-audiophoolery#comment-72930

In forums he claims he can consistently pick out hi-res recordings on
good systems, and he seems to have evidence to back up his claims. So
maybe he is like the  tested people in the study who scored 8/10 and
7/10. A small group with trained listening skills that can hear the
difference.


-- 
firedog

Tranquil PC fanless WHS server running SqueezeServer; SB Touch slaved to
Empirical Audio Pace Car; MF V DAC3, MF X-150 amp, Devore Gibbon Super 8
Speakers; Dual 506 + Ortofon 20 (occasional use); sometimes use PC with
M-Audio 192 as digital source. SB Boom in second room. Arcam CD82 which
I don't use anymore, even though it's a very good player.
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