It's not really a case of being uppity... we all sample to some extent - but the question at hand is how much can we expect to get away with without getting busted.  *Technically*, using any sample, no matter how large or small, from a copyrighted work without permission from the copyright owner is a violation of that copyright.  But in reality, because drum n bass is so underground and generally put out by independent (i.e. poor) labels, there is usually a pretty low risk of  1. getting caught and 2. getting sued.
 
Because drum n bass is so independent, people get away with a LOT of things that would never fly if they were on a major label.  This includes everything from Dylan'&Loxy's Cali Curse sampling NWA to the absolute plethora of house accapellas showing up in every other release these days.  (Im actually a bit surprised that Defected hasnt started to go after people. Either they have a very liberal policy or else no body over there listens to drum n bass at all.) But because everyone in dnb is generally so poor it's not really a profitable strategy to litigate, so generally the worst you can expect to happen is a cease and desist and perhaps forfeiture of all proceeds from the release.
 
For drum n bass, the main thing you will need to watch out for is vocals.  99% of drums, riffs, keys, fx, etc. you can get away with sampling, unless they are really obvious, the samples are very well known and you didnt change them whatsoever.  However, anything that could be considered a "remix" is generally not going to fly.  This probably includes Andy's "On and On" remix as well as all you cats that love to drop hip hop accapella's over dnb beats.  (There is a reason that all those hip hop remixes come out on white labels even though we all know who did them.)
 
In some rather well known recent examples -  FSOL got wind of the Papau New Guinea remix that High Contrast did and put the kaybosh on it.  Kemal's "Fucking Hostile" tune suffered a similar fate due to the Pantera sample in it.
 
Even tho you can generally get away with quite a lot, be wary that if you sign your track to a label, they will probably have you sign a contract stating that your tune doesnt infring on any 3rd party copyrights and that you will indemnify them from any culpability if they do not.
 
Personally i sample just about anything and everything with reckless abandon.  But by the time the material has been chopped, tweaked, twisted and worked in the tune the resemblance is so slim that i dont spend much time worrying about it.  However a couple of my recent tunes have used some rather obvious vocal parts that may cause issues if they end up being released.  One used a small, but recognizable recent hip hop sample and the other used large phrases from an old, but well known house accapella.  These are the types of things you need to be most wary of.
 
peace and happy sampling =)
 
trust
-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Friday, February 14, 2003 8:10 PM
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Re: Copyright/sampling issues

In a message dated 2/14/03 8:23:30 PM Eastern Standard Time, [EMAIL PROTECTED] writes:


I think people on this list trip a little too much about copyright.


damn straight.  It always cracks me up to see producers here get uppity about copyright, when the whole foundation of dnb is in sampled funk beats.  A little wierd. :)
---
Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk
You are currently subscribed to dnb-prod as: [EMAIL PROTECTED]
To unsubscribe send a blank email to [EMAIL PROTECTED]
---
Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk
You are currently subscribed to dnb-prod as: [email protected]
To unsubscribe send a blank email to [EMAIL PROTECTED]

Reply via email to