----- Original Message ----- From: "John Boyle" <jmbo...@ripnet.com>
To: <drakelist@zerobeat.net>
Sent: Tuesday, April 26, 2011 11:55 AM
Subject: [Drakelist] SW-4A amp


The SW-4A amp is not push pull, neither is the amp in the R-4A or R-4B. However, the SW-4 does have a push pull amp with two 6AQ5s and 1/2 of a 12AX7 as a phase inverter.

Most audio amps consist of two stages. The first is a voltage amp, usually a triode such as one unit of a 12AX7 but sometimes pentodes are used such as the 6GX6 used in the R-4. The second audio stage is a power amp, usually either a power pentode such as the 6EH5 used in the R-4, R-4A and R-4B, or a beam pentode (6AQ5) as used in the SW-4. There are a wide variety of triodes and pentodes used in audio circuits. There is little point in using a push pull audio stage in a communications receiver due to the restricted audio frequencies used. A push pull audio stage requires two more tubes - a triode phase inverter and a second output tube - plus additional capacitors and resistors so it was not cost effective for most applications.

John,  VE3PMA
I think audio amplfier quality can have a significant effect in a communications receiver despite the narrow band of audio frequencies handled. This is because distortion, both harmonic and intermodulation, can exagerate the effect of noise. Single-ended amplifiers can be made to have reasonably low distortion by carful design and the use of some negative feedback. The advantages of push-pull are that even harmonics are automatically supressed and that core saturation from unbalanced DC in the transformer windings is eliminated. Core saturation reduceds low frequency responce but can also cause distortion. Intermodulation distortion is often overlooked but it can have a significant effect on narrow band information even including CW. For the most part push-pull amplifiers are not used in tube communications receivers because of the added complication, as you describe, plus the lack of necessity for either high audio power or amplifier efficiency. Feedback also is seldom found in single-ended amps because it requires more gain and a higher quality output transformer, both of which drive cost up. Its an interesting experiment to pick off the audio from the detector stage of a receiver and feed to a good quality amplfier driving the usual receiver loudspeaker. Sometimes the difference is quite amazing.




--
Richard Knoppow
Los Angeles
WB6KBL
dickb...@ix.netcom.com


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