--- In FairfieldLife@yahoogroups.com, TurquoiseB <[EMAIL PROTECTED]> wrote:
> --- In FairfieldLife@yahoogroups.com, "Patrick Gillam" 
> <[EMAIL PROTECTED]> wrote:
> > It must have been the mid-1970s. I attended a Segovia performance 
> > at Hancher Auditorium in Iowa City. As will happen in a hall of 
> > 2,700 people, someone had a cough. In the middle of his playing, 
> > Segovia stopped, rested his guitar, looked at the offender in the 
> > audience, slowly brought a handkerchief from his breast pocket, 
> > and coughed into it once.
> > 
> > The audience laughed nervously. A few clapped. The offender jumped 
> > up, bustled past the knees of others in his row and hustled out the 
> > door. When he returned at intermission, I have to think he had his 
> > throat lozenges already unwrapped and ready.
> 
> Cool story, Patrick.  I *love* cool concert stories.
> 
> My brother told me of one at a solo Keith Jarrett 
> concert.  You kinda have to know Jarrett to get the
> magic of this story.  He was a classical pianist 
> studdying at Julliard when he got a call one day 
> from Miles Davis asking if he'd like to play key-
> boards for him.  Jarrett didn't hesitate for a moment.
> He walked away from his scholarship and never looked
> back.  At one point he started playing solo concerts.
> If, as a meditator, you don't know the album called
> "The Koln Concert," you have missed a great deal.
> 
> One of these solo concerts is the setting for this
> very Zen story.  In front of a full house in an Opera-
> style auditorium, Jarrett walked out to thunderous
> applause and sat down at the piano.  And sat.  And sat.
> And sat.  No music, no movement, nada.  He just sat
> there, as if waiting.  This went on for nearly five
> minutes.
> 
> Finally someone from the upper balcony shouted out, 
> "B-flat!"  And Jarrett's hand shot out and hit that
> note once, hard.  Then, after a moment, he hit it 
> again, and smiled.  He turned to the balcony and said,
> "Thanks...I needed that."
> 
> Then he played the note again and turned it into two
> unbroken hours of pure improvisation.  Pure *magical*
> improvisation.
> 
> The man had no earthly idea when he walked onstage what
> he was going to play.

Interesting story. Have you checked out Cecil Taylor yet? When he goes
on stage to do a solo piano concert, he has an idea of what he's going
to play. I suspect that Keith momentarily forgot what he was going to
do. It happens.

Peace,
Marc 




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