yep- lots of elements coming together, including the camera being just the right distances from those in the sushi bar, both while facing in and facing out. and i wonder if this film would've worked in the US, because when the camera is facing outward on the belt, the Japanese guys that see the camera pass within a foot or so of them are pretty subtle about it. also liked the post production soundtrack, and the filming of the two guys who set up the camera.
--- In FairfieldLife@yahoogroups.com, "Marek Reavis" <reavisma...@...> wrote: > > It was a great solution for their purpose. For me, it was almost an > ideal flick; the wonderful matter-of-factness to it, the play of > attention throughout, the uninvolved 'witness' thing, and all those > great people living their lives in the sushi bar for the span of the > video. > > Watched it twice right away; totally dug it. > > ** > > --- In FairfieldLife@yahoogroups.com, enlightened_dawn11 > <no_reply@> wrote: > > > > great find-- i recognized awhile ago while shooting video that it is > > very hard to duplicate all of the dolly effects used in professional > > cinematography. these guys came up with a cool solution. > > > > --- In FairfieldLife@yahoogroups.com, "Marek Reavis" <reavismarek@> > > wrote: > > > > > > http://www.youtube.com/watch?v=ySrsZuD4w0c > > > > > > (under 5 minutes) > > > > > >
