We need to compile an authfriend lexicon that will help others to understand her. In this case "making a fool of yourself" means "writing something I don't agree with." In doing so we need to acknowledge the fine work already done in this field by Turquoise B, a brilliant, pioneering scholar of "authfriend speak," which we might define as a language developed entirely to browbeat and humiliate other people.
--- In FairfieldLife@yahoogroups.com, "authfriend" <authfriend@...> wrote: > > --- In FairfieldLife@yahoogroups.com, "feste37" <feste37@> wrote: > > > > Share, darling, you did not make a fool of yourself. That was > > just authfriend's malicious spin. > > Yeah, sorry, but she did make a fool of herself, in two ways. > First, she didn't make any effort to find out what the video > was that emptybill was talking about and just jumped in with > something wildly inappropriate to the context. > > And second, what she was babbling about was, on its own > terms (as Ann explained), stupidly chauvinistic, a dopey > notion she picked up without asking herself if it made any > sense. > > This wasn't the most egregious instance by any means of > her making a fool of herself, but it *was* typical. If you > really want the best for Share, feste, you need to let her > take her lumps instead of trying to protect her from > herself and from reality. You aren't even showing her any > *respect* when you do the latter. > > > > > > > > > --- In FairfieldLife@yahoogroups.com, Share Long <sharelong60@> wrote: > > > > > > Yep, obviously I'm still learning how to communicate online in a > > > noninflammatory way. Judy, I'm sure I've made a fool of myself prior to > > > today and am equally sure that I will do so again in the future. Ann, > > > neither Edwin nor I were criticizing dirty fighting. Which I thought, > > > albeit wrongly, that the explanation explained. > > > > > > > > > > > > ________________________________ > > > From: awoelflebater <no_re...@yahoogroups.com> > > > To: FairfieldLife@yahoogroups.com > > > Sent: Thursday, December 6, 2012 8:40 AM > > > Subject: [FairfieldLife] Re: More Opera 12.04.12 to feste and emptyB > > > > > > > > >  > > > > > > > > > --- In FairfieldLife@yahoogroups.com, Share Long <sharelong60@> wrote: > > > > > > > > feste, we adore you for adoring us and emptyB, we adore you for having > > > > a healthy respect for our trickiness which of course we had to develop > > > > to survive living with those big strong hairy cavemen prone to slinging > > > > us over their shoulder. > > > > > > > > In his workshop music man Edwin Coppard from Victoria teaches that > > > > since cave days, women fight dirty. > > > > > > And do you believe that/him? Sounds like a funny sort of man's (n this > > > case the man being Mr Coppard) viewpoint. How about looking at it that > > > because women are, generally speaking, less physically strong than men > > > they have to rely on their wits more and of course this would apply > > > mostly to days gone by when physical threat was more common in daily > > > life. To hide one's young from a predator would involve elements of > > > foresight, the ability to be spontaneous and creative to find ways of > > > escaping the jaws of some hungry mountain lion as well as a huge degree > > > of courage. To use a term to lump all of these characteristics into one > > > descriptive word like "dirty" is patently ridiculous and shortsighted, > > > even underhanded. Talk about 'fighting dirty'. Just another person > > > putting a negative spin on what could be otherwise construed as positive > > > in the opposite sex. > > > > > > àWe had to have strategies and abilities to protect the young because > > > we were the last line of defense when the men of the tribe were off > > > hunting or warring. > > > > > > We would have been the FIRST and far from inferior line of defense since > > > the men were gone and might have been the first line even if they had > > > been present. > > > > > > > > Edwin still has a bit of a Cockney accent and he used much more > > > > colorful language which I will leave to everyone's imagination.àIf > > > > only to spare Buck who makes me smile just about every single day > > > > (-:àà> > > > > > Yessiree, that Buck certainly makes me shake my head in wonder, every > > > day. Can you imagine if he was our first line of defense against some > > > marauder? "Now ladies, relax, just close your eyes for 20 minutes and all > > > will be fine. If you find yourself dead in the next 20 seconds it's > > > because there just weren't enough of us meditating right now. Now shoo, > > > you nasty cougar." > > > > > > > > > > > > > > > > ________________________________ > > > > From: feste37 <feste37@> > > > > To: FairfieldLife@yahoogroups.com > > > > Sent: Wednesday, December 5, 2012 8:04 PM > > > > Subject: [FairfieldLife] Re: More Opera 12.04.12 > > > > > > > > > > > > à> > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "emptybill" <emptybill@> wrote: > > > > > > > > > > Wonderful performances. > > > > > > > > > > That mad scene should be a snap-shot for men > > > > > thinking these divas would be simple to deal with > > > > > by a fool - a snap-shot of their own bloody corpse > > > > > that is. > > > > > > > > > > Feste, be warned. They wouldn't just cut your > > > > > heart out but also put a grenade under your > > > > > body to greet anyone rolling you over. > > > > > > > > I know. Mess with them and you're history. That's why I adore them so > > > > much. > > > > > > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "authfriend" <authfriend@> > > > > > wrote: > > > > > > > > > > > > Three Netrebko videos... > > > > > > > > > > > > "Quando m'en vo" ("Musetta's Waltz") from Puccini's La Boheme > > > > > > (Not such a great aria for a concert performance; you really > > > > > > need the staging for it to come across, but she sings it > > > > > > nicely.) > > > > > > > > > > > > http://www.youtube.com/watch?v=jWnWivspwRE > > > > > > > > > > > > > > > > > > "Sempre libera" from Verdi's Traviata > > > > > > (From the new Met modern-dress production--a rather outre > > > > > interpretation of Violetta, but it shows off her acting > > > > > > ability.) > > > > > > > > > > > > http://www.youtube.com/watch?v=cFJJ1zFBWgY&feature=endscreen&NR=1 > > > > > > > > > > > > > > > > > > "Mad Scene" from Donizetti's Lucia di Lammermoor > > > > > > (Lucia has just killed her bridegroom. A conventional > > > > > > production, but the staging of this scene is excellent, > > > > > > and her performance is blood-chilling. It's a long > > > > > > scene, over 10 minutes.) > > > > > > > > > > > > http://www.youtube.com/watch?v=ZX2r8ps9pUg > > > > > > > > > > > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "emptybill" emptybill@ wrote: > > > > > > > > > > > > > > > > > > > > > Hah! Yeah ââ¬Â¦ she's like napalm. > > > > > > > > > > > > > > But image living with someone with such talent and charisma. > > > > > > > > > > > > > > Might easily end up like the performance by Dmitri Hvorostovsky > > > > > > > and > > > > > > > Renee Fleming in post #328213. > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "feste37" <feste37@> wrote: > > > > > > > > > > > > > > > > Hotter than hot! There definitely was some cleavage, btw. You > > > > > > > > must > > > > > > > have nodded off before they got it, you poor old bastard. > > > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "emptybill" emptybill@ > > > > > wrote: > > > > > > > > > > > > > > > > > > > > > > > > > > > Oh yeah? > > > > > > > > > > > > > > > > > > Here is an Anna Netrebko interview where she shows no cleavage > > > > > but > > > > > > > ... > > > > > > > > > it also is "so hot". > > > > > > > > > > > > > > > > > > No wonder that video with Dmitri stopped before their actual > > > > > kiss. > > > > > > > But > > > > > > > > > it was on the other video that I saw ... And the audience > > > > > > > > > loved > > > > > it. > > > > > > > > > > > > > > > > > > > > > > > http://www.youtube.com/watch?feature=endscreen&NR=1&v=UgpVoMPGbUA > > > > > > > > > > > > > > <http://www.youtube.com/watch?feature=endscreen&NR=1&v=UgpVoMPGbUA> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "feste37" <feste37@> > > > > > wrote: > > > > > > > > > > > > > > > > > > > > Nice, but not enough cleavage, which is an essential part > > > > > > > > > > of a > > > > > > > female > > > > > > > > > opera singerâââ‰â¢s repertoire, > > > > > > > > > donâââ‰â¢t you think? In > > > > > this > > > > > > > > > regard, the divine Cecilia does not disappoint in the > > > > > > > > > following > > > > > > > clip, > > > > > > > > > especially given the tantalizing possibility of a wardrobe > > > > > > > malfunction, > > > > > > > > > which unfortunately not quite happen (but watch the shoulder > > > > > strap): > > > > > > > > > > http://www.youtube.com/watch?v=DaKX21earkk (Oh, yes, the > > > > > > > > > > aria > > > > > is > > > > > > > good > > > > > > > > > too.) > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > My favorite Cecilia is this: > > > > > > > > > http://www.youtube.com/watch?v=G2IeGgk_06I > > > > > > > > > > Itâââ‰â¢s an aria from a Vivaldi opera and she > > > > > > > > > > uses it as an > > > > > > > encore. > > > > > > > > > Itâââ‰â¢s breathtaking, sensational. I defy > > > > > > > > > anyone to keep > > > > > still > > > > > > > while > > > > > > > > > they watch it. Itâââ‰â¢s Baroque rock. And just > > > > > > > > > look at her > > > > > face > > > > > > > when > > > > > > > > > she is finished. > > > > > > > > > > > > > > > > > > > > Cecilia is the sort of voluptuous Italian woman that men > > > > > > > > > > would > > > > > > > love to > > > > > > > > > have in the kitchen and bedroom. She might be a bit of a > > > > > > > > > handful > > > > > > > though. > > > > > > > > > > > > > > > > > > > > Elina G made a great Sesto in the live Met telecast of > > > > > Clemenza di > > > > > > > > > Tito at the weekend. She is so hot. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > --- In FairfieldLife@yahoogroups.com, "emptybill" emptybill@ > > > > > > > wrote: > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Two of the best mezzo-sopranos, Elina Garanca and Anna > > > > > Netrebko, > > > > > > > > > sing > > > > > > > > > > > the famous Flower duet (Lakmïÿý Delibes). > > > > > > > > > > > Doesn't hurt > > > > > that > > > > > > > > > > > they're both as beautiful as the blossoms to which they > > > > > > > > > > > give > > > > > > > song. > > > > > > > > > > > No wonder men are so easily spellbound. > > > > > > > > > > > > > > > > > > > > > > http://www.youtube.com/watch?v=Vf42IP__ipw > > > > > > > > > > > <http://www.youtube.com/watch?v=Vf42IP__ipw> > > > > > > > > > > > > > > > > > > > > > > Also, > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Dmitri Hvorostovsky and Renee Fleming in a fabulous > > > > > performance > > > > > > > in > > > > > > > > > the > > > > > > > > > > > palace at St. Petersburg > > > > > > > > > > > (a duet from Verdi's Il Travatore). > > > > > > > > > > > > > > > > > > > > > > http://www.youtube.com/watch?v=GV9rE61kodw&feature=related > > > > > > > > > > > <http://www.youtube.com/watch?v=GV9rE61kodw&feature=related> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >