--- In FairfieldLife@yahoogroups.com, "Patrick Gillam"
<[EMAIL PROTECTED]> wrote:
>
> --- jim_flanegin wrote:
> >
> > --- authfriend wrote:
> > >
> > > --- jim_flanegin wrote:
> > >
> > > > when I read the President of Iran's letter,
> > > > with its frequent mention of God and the Christian values
and
> > > > Jesus, I support it fully, possibly more than the author does
> > >
> > > Did you understand him to be recommending theocracy as
> > > the best form of government, and specifically theocracy
> > > based on monotheism?
> >
> > I didn't notice that in the letter. Doesn't matter to me one way
or
> > the other.
>
> The key phrase seems to be "I support it more than
> the author does," leaving room for the possibility that
> Mahmoud may be a conniving snark, but not being suckered
> into that perception. For what's the point? Jim doesn't
> work for the State Department.There's no point in
> looking past the mask, unless it's to see the divinity within.
>
> I, on the other hand, have no problem seeing Mahmoud as a
> conniving snark. For much of my life I've thought too well of
> others, not because I had celestial perception, but because I
> was simply blind. It's refreshing to cease playing the chump.
>
Yeah, exactly. By taking the middle way, by not being on the one
hand, naive, and on the other, cynical, and thirdly, by the mind
remaining clear, a third perception emerges.

So whoever the individual entities in this conflict are, isn't
important to me, only to them. What is important to me is seeing the
balance of light and darkness in the situation and silently favoring
the light.

It then becomes a display, not of geopolitics, but rather a natural
phenomenon, subject not so much to abstract human thinking and
intellectually distorted perceptions, but instead the processes that
govern the natural world, the divine world.

And the greater reality being played out here must necessarily be
one of natural process, not only because it is crafted as such, but
also in order for us to see it for what it is, and therefore
influence it as it exists; a play of darkness and light.






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