--- In FairfieldLife@yahoogroups.com, Bhairitu <[EMAIL PROTECTED]> wrote: > > cardemaister wrote: > > Am7 Dm7 G7 Cmaj9 > > Fmaj7 Bm7b5 Esus4 E7 > > > > Jesus, but that Esus sounds > > great when I "play" that tune > > with "techni-chord" on! :D > The progression is a simple cycle of fourths and therefore open to a lot > of workable chord substitutions. Here is a little jazzier version: > A-9 D-9 G13 C 9/6 > Fmaj7b5 B-7b5 Esus4 E7 > > It also works if you pivot between the B diminished a E7 variations. > Experiment with varieties that enhance the melody and provide more > underlying tension for greater emotional support. >
That's too "professional" for me. I have no idea how to get e.g. G13. (Perhaps the techni-chord plays something like that for me...) I think one has to be mathematically[!] rather gifted to be able to come up with one's own ideas about various possibilities with chords. I have to rely on what I see in the notes or elsewhere. But "emotional support" is an interesting notion. It was amazing to notice what a big difference Esus4 makes compared to plain E major. AFAIK, harmony (playing chords) is nearly non-existent in Indian classical music. To subscribe, send a message to: [EMAIL PROTECTED] Or go to: http://groups.yahoo.com/group/FairfieldLife/ and click 'Join This Group!' Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/FairfieldLife/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/FairfieldLife/join (Yahoo! ID required) <*> To change settings via email: mailto:[EMAIL PROTECTED] mailto:[EMAIL PROTECTED] <*> To unsubscribe from this group, send an email to: [EMAIL PROTECTED] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
