On Apr 6, 2012, at 12:11 PM, Nat Russo wrote:

> Hi Ray,
> 
> I'm still merrily revising my first draft (ok...sometimes not-so-merrily).  I 
> noticed something in my writing that I wanted to ask you about, and it deals 
> with the subject of cause and effect.  Paraphrasing a book on writing that I 
> recently read, the author suggested you should *never* reverse the two, as 
> this could cause some confusion in the reader.  I hate words like "always" 
> and "never" when it comes to stuff like this, though.
> 
> Here's a brief example of effect following cause, as the author of the book I 
> alluded to above would do it.
> 
> ---Effect following Cause---
> "Bells began to ring throughout the city, indicating the alarm had been 
> raised.  John knew he wouldn't be alone for long.  As he rounded the corner 
> he got his first glimpse of the docks to the south.  At least fifty guards 
> lined the street between him and his destination.  There would be no way to 
> break through their line.
> John swore."
> ---------------------
> 
> Yeah, that works and everything.  You see the cause [oh crap there's a bunch 
> of guards] before the effect [John swears].  But I find myself preferring the 
> following in this situation:
> 
> --Cause following Effect--
> "Bells began to ring throughout the city, indicating the alarm had been 
> raised.  John knew he wouldn't be alone for long.  As he rounded the corner 
> he got his first glimpse of the docks to the south.
> John swore.
> At least fifty guards lined the street between him and his destination.  
> There would be no way to break through their line."
> ---------------------
> 
> The latter version seems more...I don't know...cinematic?  You see John swear 
> [the effect] a moment before you know why [the cause], but this doesn't seem 
> jarring to my ear.  In fact, it reminds me of the countless times I've seen 
> such a sequence in action/suspense films.  (But maybe that's the problem?  
> It's cliche?)
> 
> I'm just curious about your take on this.  Is this a situation of "whatever 
> sounds best to you", or a "for the love of God, man, never do that!"...or 
> somewhere in between? 
> 
> Thanks,
> Nat
> 
> -- 
> Sent from my Crappy Laptop (tm) using a poor excuse for a web browser.
> 



Trust your gut.

The first is flawed, because you've lost your point-of-view.  Your  character's 
point-of-view correctly views the causality.

EVERYTHING must serve the reader.  Break rules to make it serve if you need to.

Best, R.E.F.
----
www.crydee.com

Never attribute to malice what can satisfactorily be explained away by 
stupidity.







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