On Wed, 18 Apr 2012 09:38:52 +1000, Jayne Taylor
<[email protected]> wrote:

> When you say "It was actually a decent film; it just wasn't his
> book." therein lies the problem. The reader _expects_ it to be his
> book.

That reminds me problems translators have, just in worse as going
from words to movie is a bigger change than going from words to words
in another language.  Even with this easier job, some translators have
been accused of having written another story. I for sure have stopped
to
read translations of technical books when I found out that I was often
trying
to guess what was the source which made sense and could be translated
in
the gibberish I was reading (people knowledgeable enough to translate
technical
books without such kind of errors are also knowledgeable enough to
write
their own and probably find it easier and less frustrating than
translating).

Back to the matter. Translating always loose something, and sometimes
add something. Going from book to film will loose something (and
adaptators
don't have the last resort of "translators footnotes" when they are in
an
unsolvable situation), and sometimes will add something.

Most people understand that. They aren't complaining about that. What
they
are complaining about, is that what makes for them the core of the book
is
lost is the translation or the adaptation. And here is the big
difference
between translators and film adaptators. Most translators will consider
a failure the fact they don't keep the core of the book (but they may
not
agree with you about what is the core). Film adaptators are quite happy
to
get further, not just because of technical constraints, not just
because
they disagree with you about the core of the story, but because they 
think it makes it a better film. It probably does. But the film is no
more
an adaptation of the book, just as if the translator of a technical
book
started to do major rework to take into account the latest state of the
art
the result is a better book, but no more a translation.


That brings a question for Ray. Do you speak other languages than
English?
If you do, have you read the translation of your work in those
languages?

Yours,

-- 
Jean-Marc

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