At 10:14 PM 06/07/03, Tim Thompson wrote:

> I like the way the articulation
>tools were changed for example (except that I had to relearn--I tend to
>get used to some stock things like that since I am working on so many
>different systems, and with students).  A for accent, S for staccato,
>etc.

Like Darcy, I use my own templates and never see Coda's.

I'm curious.  Is there just one metatool for each articulation?  If so, how
do they manage to place them properly for all different circumstances?  Or
is it just assumed that everything is noteside and if for some reason
that's wrong (eg, two layers) then tough luck?

mdl


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