On Wednesday, June 11, 2003 6:22 AM, Mark D. Lew wrote: > At 9:37 PM 06/10/03, Giz Bowe wrote: > > >Or how about Major 7 sus4? > > I never write in any style that calls for chord symbols, but > I do love that > chord. > > I once wrote a choral piece (well, started to write > anyway...) that began > with a tight C-D-F# that remained harmonically ambiguous for > a few bars > until the bass G joined and the suspension came down.
How were you able to keep the C-D-F# ambiguous? The moment I hear that I automatically think "D7," as all the elements for a functional dominant seventh are there. ------------- Brad Beyenhof [EMAIL PROTECTED] _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
