You could always try a fine dotted barline with a small (3) in parenthesis
above it just to show that it is written as intended.

Liudas


----- Original Message -----
From: "David H. Bailey" <[EMAIL PROTECTED]>
To: "Darcy James Argue" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>
Sent: Monday, February 09, 2004 3:50 PM
Subject: Re: [Finale] Triplet question


> Either will be hard to read (and try to count) at first glance.  So I
> would probably just put the triplet there without any tie to show the
> half-measure as probably being only slightly less confusing.
>
> David H. Bailey
>
>
>
> Darcy James Argue wrote:
>
> > Okay,
> >
> > In 4/4, one normally "shows" beat 3 of a measure when it contains eighth
> > note values or smaller.
> >
> > However, I've run into a situation where my source has the following
> > rhythm:
> >
> > quarter rest - eighth rest - a triplet consisting of: two eighth notes
> > followed an eighth rest - eighth rest - quarter rest
> >
> > In other words, an eighth-note triplet starting on the "and" of two.
> >
> > I guess the "correct" way to write this would be to split the eighth
> > note triplet into two groups of sixteenth note triplets, like this:
> >
> > quarter rest - eighth rest - a triplet consisting of: an eighth note
> > followed by a sixteenth note, tied to a triplet consisting of: a
> > sixteenth note followed by an eighth rest - eighth rest - quarter rest.
> >
> > This would correctly show beat 3 of the measure.  But in this case, I
> > think the above notation (with the tie) is actually much more difficult
> > to read than a single eighth-note triplet starting on beat 2.5.
> >
> > What say you all?
> >
> > - Darcy
> >
> > -----
> >
> > [EMAIL PROTECTED]
> > Brooklyn NY
> >
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> >
> > .
> >
>
> --
> David H. Bailey
> [EMAIL PROTECTED]
>
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