Darcy James Argue wrote:

Hi Chuck, Chris, et al,

I think Chris's point (with which I emphatically agree) is that it's a little perplexing as to why Gary felt the need to include so many exotic saxophones -- sopranino; both curved and straight soprano (neither is "exotic," obviously, but the difference in tone between them is negligible); both mezzo-soprano and C-melody; bass, contrabass, *and* subcontrabass saxophones -- in favor of more commonly-used instruments.

Well, I think the soprano saxes are ok, as there are differences in tone, but who even owns a C-melody now? I've played in many, many pro jazz bands, and I've never seen doubles on C-Melody, bass, contrabass, and subcontra. The only thing I've ever seen SOME of those on was a production of West Side Story, where there is actually a Bb Bass saxophone part.

We all agree that bass clarinet is an absolute necessity, and so I'm VERY VERY grateful that Chuck was able to pull some strings to make that happen. But I can think of several instruments that would make more sense for this library than, say, subcontrabass saxophone. None of them are absolutely glaring omissions like the bass clarinet was, but I'd certainly be willing to forgo all of the rare saxophones (even sopranino, a personal favorite of mine) in exchange for any of the following:

• a "mallet kit" (it currently has only sticks and brushes)
• modern electric guitar with chorus and volume pedal
• acoustic guitar
• Hammond organ
• solo voice (oohs and aahs)
• French horn
• tuba
• solo violin (jazz player)
• accordion
• oboe/English horn


I'd say Tuba, French Horn, Fender Rhodes, Mallets, acoustic/electric guitar. Honestly, there are Hammond Organ programs out there. I don't think we really need it, and I think it's more common in a Jazz Band setting to have a Fender Rhodes than a B3. Jazz violin? Solo Voice?

I think the library needs to cover the basics. Trumpets with all the mutes. Saxophones (soprano, alto, tenor, bari), and saxophone doubles (piccolo, flute, alto flute, Bb Clarinet, Bb Bass Clarinet), trombones with all the mutes, Tuba, standard jazz drum set, a good acoustic piano, a good fender rhodes, an acoustic guitar, an electric guitar, acoustic and electric bass, and vibes. I think all the other stuff is not really necessary.

The model should be Jazz Bands. Think Toshiko, Buddy Rich, Gordon Goodwin, Bob Florance, and perhaps Stan Kenton.

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