At 7:36 PM +0000 1/30/06, Owain Sutton wrote:
Andrew Stiller wrote:

On Jan 30, 2006, at 6:26 AM, Owain Sutton wrote:
Petrucci was a shrewd (or very lucky) businessman. But, we do not know who he sold books to, or even how many he sold.

Early printed music, right up through at least the 17th c., cost more--much more--than an MS because it looked better and was likely to have far fewer errors. Every edition, that is, was a deluxe edition.

Somewhere I read--it may have been in the study of the life and works of 16th century Parisian printer Pierre Attaignant--that while comparison of prices and values across the centuries is chancy at best, a new book in the 16th century probably sold for the equivalent of that same exact book sold in the 20th century as an antique. But that doesn't stop Gutenberg's Bibles from being one (of a great many) factors that made the Protestant Reformation possible.

And I agree with David that much surviving music--manuscript or prints--survived because it was tucked away in a library and not used. That's exactly why we have the six surviving Brandenburg Concerti, while we will probably never know what else was sitting on the shelves in Coethen when Bach pulled those six pieces out and made fair copies of them.

So no, we can never know everything, and the farther back in time we go the less we CAN know, but that's no reason not to use what we DO know intelligently, even though it involves some degree of extrapolation and educated guesswork.

John


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